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Arts

On top of a box of plastic cartons sits a bag of empty water bottles all strung together within black netting.

In Abigail DeVille’s latest exhibit, one man’s trash is another’s manifestation of the heart

Contributing writer for The Prospect Amaya Taylor covers artist Abigail DeVille’s latest exhibition, “the heart knows its own bitterness (Manifest).”

Contributing writer for The Prospect Amaya Taylor covers artist Abigail DeVille’s latest exhibition, “the heart knows its own bitterness (Manifest).”

THE PROSPECT | 5 days ago

A multi-floor building with dark blue windows on a lawn with a row of trees on either side.

‘Chile, look at where she is’: Patricia Smith wins National Book Award for Poetry

Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”

Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”

THE PROSPECT | November 24

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PUAM’s Ancient Mediterranean Pavilion steps into the past, with a modern twist

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

THE PROSPECT | November 14

The outside of a theater during sunset.

Mark Morris speaks on artistic legacy and music

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

THE PROSPECT | October 23

A black and white print is against a white wall.

In ‘spinnerets,’ spiders and silk tell the story of the balloon war

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

THE PROSPECT | October 10

A group of nine dancers dressed in jeans and white tops mid-movement. The lighting gives the dancers a purple hue.

A celebration of black joy: Camille A. Brown’s I AM redefines the performer/audience relationship at the McCarter Theater

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

THE PROSPECT | October 6