Thursday, October 30

Previous Issues

Follow us on Instagram
Try our free mini crossword
Subscribe to the newsletter
Download the app

Arts

The outside of a theater during sunset.

Mark Morris speaks on artistic legacy and music

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

THE PROSPECT | 6 days ago

A black and white print is against a white wall.

In ‘spinnerets,’ spiders and silk tell the story of the balloon war

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

THE PROSPECT | October 10

ADVERTISEMENT
A group of nine dancers dressed in jeans and white tops mid-movement. The lighting gives the dancers a purple hue.

A celebration of black joy: Camille A. Brown’s I AM redefines the performer/audience relationship at the McCarter Theater

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

THE PROSPECT | October 6

Person in dark, black cloak and skeleton mask and another person in a black suit watch on as a someone in a blue suit is on the ground.

‘The only thing that mattered was being on top’: Orion Lopez-Ramirez’s ‘How to Live at the End of the World’

Head Editor for The Prospect Mackenzie Hollingsworth covers Orion Lopez-Ramirez’s “How to Live at the End of the World.”

Head Editor for The Prospect Mackenzie Hollingsworth covers Orion Lopez-Ramirez’s “How to Live at the End of the World.”

THE PROSPECT | September 30

A modern looking building at night

Tina M. Campt succeeds Paul Muldoon as new director of Princeton Atelier

Assistant editor for The Prospect Lily Hutcheson sits down with the new director of Princeton Atelier to discuss the direction of the program and struggles that the arts are facing.

Assistant editor for The Prospect Lily Hutcheson sits down with new director of Princeton Atelier to discuss the direction of the program and struggles that the arts are facing.

THE PROSPECT | September 14

Young men and women dressed in avant-garde outfits and fabrics stand in a pyramid formation behind one another, as they pose at the end of the rotunda or the runway.

How Jeanie Chang ’25 turned Chancellor Green into a couture runway

Contributing Writer for The Prospect Irene Kim reviews the fashion show “Metanoilepsis,” which featured a collection of designs by Jeanie Chang ’25 that brought together distinct worlds.

Contributing Writer for The Prospect Irene Kim reviews the fashion show “Metanoilepsis,” which featured a collection of designs by Jeanie Chang ’25 that brought together distinct worlds.

THE PROSPECT | June 1

A mural depicting imagery from F. Scott Fitzgerald's "The Great Gatsby," including colorful fireworks, a yellow automobile, a lighthouse emitting green light, eyes wearing glasses, and a flapper holding a drink.

Gatsby on Spring Street: A centennial mural brings Fitzgerald’s vision to life

Contributing Writer for The Prospect Cynthia Lee highlights the Spring Street mural commemorating the centennial anniversary of F. Scott Fitzgerald’s “The Great Gatsby.”

Contributing Writer for The Prospect Cynthia Lee highlights the Spring Street mural commemorating the centennial anniversary of F. Scott Fitzgerald’s “The Great Gatsby.”

THE PROSPECT | May 8

A man on the right holds a cello and a cello bow, while a man on the left is clapping his hands together.

Strings attached: Yo-Yo Ma and Jeffrey Brown talk the art of listening at McCarter

Staff Writer for The Prospect Chloe Lau recaps McCarter Theatre’s most recent event hosting world-renowned cellist Yo-Yo Ma, who led a conversation about music, memory, and searching for meaning in a world of uncertainty.

Staff Writer for The Prospect Chloe Lau recaps McCarter Theatre’s most recent event hosting world-renowned cellist Yo-Yo Ma, who led a conversation about music, memory, and searching for meaning in a world of uncertainty.

THE PROSPECT | April 29

A person tries to navigate through outstretched strings while another person stands further back and guides them.

Finding joy in the mundane and cyclical — a review of Theatre Intime’s ‘Missing Dog, Very Helpful’

Contributing Writer for The Prospect Eric Mohorea recaps his visit to the dress rehearsal of Theatre Intime’s latest play, “Missing Dog, Very Helpful.”

Contributing Writer for The Prospect Eric Mohorea recaps his visit to the dress rehearsal of Theatre Intime’s latest play, “Missing Dog, Very Helpful.”

THE PROSPECT | April 17

A group of students sit in chairs arranged in a concentric formation and play their respective instruments while looking at the music sheets in front of them.

Artist Q&A: Revival of Princeton University Wind Ensemble with Jacob Jackson ’26 and Wesley Sanders ’26

Contributing Writer for The Prospect Navya Kommu highlights the revival story of the Princeton University Wind Ensemble with Jacob Jackson ’26 and Wesley Sanders ’26.

Contributing Writer for The Prospect Navya Kommu highlights the revival story of the Princeton University Wind Ensemble with Jacob Jackson ’26 and Wesley Sanders ’26.

THE PROSPECT | April 11