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ARTS & CULTURE

PROSPECT.

Triangle’s ‘Aisle Be Damned’ shows it’s the fun that matters, not the point

Triangle’s ‘Aisle Be Damned’ shows it’s the fun that matters, not the point

Miriam Waldvogel
| 5 hours ago
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This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.

This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.

PUAM’s Ancient Mediterranean Pavilion steps into the past, with a modern twist

Mediterranean Pavilion.heic

PUAM’s Ancient Mediterranean Pavilion steps into the past, with a modern twist

Zane Mills VanWicklen

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

THE PROSPECT | 4 days ago

Yiyun Li writes from the abyss in ‘Things in Nature Merely Grow’

A green book with white letters that read "Things in Nature Merely Grow." There is a pair of black glasses and a black pen scattered next to the book. The items are all on a white background.

Yiyun Li writes from the abyss in ‘Things in Nature Merely Grow’

Christopher Bao

Li’s characteristic insistence on describing reality with precision, no matter how painful, is evident from the first chapter. She even rails against oft-used words like grief and mourning, which she believes imply an end to the pain of loss. For her, the pain will never end. This new work is not catharsis, but a reminder that life will never be all right again.

Li’s characteristic insistence on describing reality with precision, no matter how painful, is evident from the first chapter. She even rails against oft-used words like grief and mourning, which she believes imply an end to the pain of loss. For her, the pain will never end. This new work is not catharsis, but a reminder that life will never be all right again.

THE PROSPECT | 4 days ago
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‘300 Paintings’ delivers an equally hilarious and human commentary on artistry, mental health, and self-acceptance

A black screen with the words "300 PAINTINGS" in light blue lettering

‘300 Paintings’ delivers an equally hilarious and human commentary on artistry, mental health, and self-acceptance

Gavin McLoughlin

Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.

Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.

THE PROSPECT | November 3

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