Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
Contributing writer for The Prospect Alexis Choi attends and reviews P Pop Up’s “terre á terre” fine dining event.
While at first glance Theatre Intime’s production of “Fefu of Her Friends” is the story of a group of middle-aged women working together on a charity project, there’s far more than meets the eye. The tensions among its characters — from the titular character’s fascination with the revulsive to a literal Chekov’s gun that may or may not be loaded — permeate the alt-aesthetic stage from the very start.
While at first glance Theatre Intime’s production of “Fefu of Her Friends” is the story of a group of middle-aged women working together on a charity project, there’s far more than meets the eye. The tensions among its characters — from the titular character’s fascination with the revulsive to a literal Chekov’s gun that may or may not be loaded — permeate the alt-aesthetic stage from the very start.
Contributing writer for The Prospect Amaya Taylor reviews PSAT’s “bizarre and fun” retelling of “Legally Blonde.”
Contributing writer for The Prospect Amaya Taylor reviews PSAT's "bizarre and fun" retelling of "Legally Blonde."
Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”
Contributing writer for The Prospect Michael Grasso details Princeton professor in creative writing Patricia Smith’s acceptance of the National Book Award for Poetry for her book “The Intentions of Thunder: New and Selected Poems.”
In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
In the November issue, the Sexpert explains the pitfalls of using AI chatbots for emotional intimacy.
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Amy Jeon reviews the Black Arts Collective exhibit “Terms for Existence.”
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for The Prospect Leia Pei details moments from the Black Art Company’s fall show.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
Contributing writer for the Prospect, Navya Kommu, interviews Ooika owner about his upcoming Nassau Street opening.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
This is the third year of the Editor-in-Chief’s review of the Triangle show, a recently revived tradition with little to no trace of its prior existence. This review is not entirely satirical and sadly not at all fictional, though it does discuss fiction. But nonetheless, it is definitely not serious.
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Staff writer for The Prospect Annika Plunkett reviews Princeton Pianists Ensemble’s show “Odyssey.”
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Eesha Sutaria reviews Coffee Club’s new winter drink menu.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Contributing writer for The Prospect Caroline Naughton covers the American Art pavilion in the Princeton University Art Museum’s brand new space.
Writer for The Prospect Kate Chun reviews the Princeton University Art Museum’s new Asian Art Pavilion.
Contributing writer for The Prospect Kaichen Chou discovers new study spots in the Princeton University Art Museum.
Contributing writer for The Prospect Kaichen Chou discovers new study spots in the Princeton University Art Museum.
Contributing writer for The Prospect Devon Williams details curatorial choices in the European Art Pavilion at the Princeton University Art Museum.
