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The Prospect

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Mel Hornyak / Theatre Intime

Theatre Intime’s ‘As You Like It’ is a jubilant and witty rom-com for the pandemic

Theatre Intime and the Princeton Shakespeare Company’s decision to remotely produce “As You Like It,” Shakespeare’s lighthearted pastoral comedy, strikes a pleasantly discordant note in a year defined by a global pandemic that demonstrates no signs of waning in many parts of the world, accelerating political polarization, and many sacrifices, big and small. Senior Prospect writer Amy Ciceu reviews this new radio play.

Theatre Intime and the Princeton Shakespeare Company’s decision to remotely produce “As You Like It,” Shakespeare’s lighthearted pastoral comedy, strikes a pleasantly discordant note in a year defined by a global pandemic that demonstrates no signs of waning in many parts of the world, accelerating political polarization, and many sacrifices, big and small. Senior Prospect writer Amy Ciceu reviews this new radio play.

THE PROSPECT | December 20

José Pablo Fernández García / The Daily Princetonian 

A family, paper towels & Princeton

This, if anything, is a story of the frustration I felt in those moments in the car, driving. I was frustrated because seeing that family felt like a failure. Indeed, it was a failure of our society to take care of that family’s most basic needs: food and shelter. This frustration was also very familiar to me after the recent months during which I’ve watched this country dramatically fail to respond to the pandemic: little to no effort to contain the virus, little to no effort to support those most affected. 

This, if anything, is a story of the frustration I felt in those moments in the car, driving. I was frustrated because seeing that family felt like a failure. Indeed, it was a failure of our society to take care of that family’s most basic needs: food, shelter. This frustration was also very familiar to me after the recent months during which I’ve watched this country dramatically fail to respond to the pandemic: little to no effort to contain the virus, little to no effort to support the most affected.

THE PROSPECT | December 20

Sam Johnson / The Daily Princetonian

Grief in four corners

With the lockdown and strict quarantine earlier this year, my room has become the very essence of me, an extension of myself. I’ve rearranged it countless times in attempts to mitigate the boundary of who I was when I left for college and who I am now since I returned in the spring of 2020. 

THE PROSPECT | December 20

Jani Dumapit / Princeton University Players

Princeton University Players takes the virtual stage — and audience members' hearts — with Sex on Broadway

Directed by Sabina Jafri ’24, “Sex on Broadway 2020: Things We Missed” showcases new takes on classic Broadway show tunes and shares the Class of 2024’s unique journey from the onset of the pandemic to the beginning of the fall semester.

THE PROSPECT | December 20

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Aditi Desai / The Daily Princetonian

Catching fire in darkness: Celebrating Diwali during a pandemic

I love Diwali for all of the light it forges in my house, for the seven lit candles which sit perfectly aligned on my fireplace for 10 days, for the sweets that cover every square inch of my kitchen counter, for all of the shoes I trip over as guests pile into my home. As an Indian American living in New Jersey, my parents have adapted the way Diwali is typically celebrated. 

THE PROSPECT | December 6

Lawrence Lek, Sinofuturism (1839-2046 AD), 2016 [still] HD video, stereo sound / © Lawrence Lek, courtesy Sadie Coles HQ, London

Confronting ‘virtual’ dualities in the work of multimedia artist Lawrence Lek

On Nov. 5, multimedia artist Lawrence Lek gave a public talk hosted by the Princeton Art Museum to discuss the research interests and questions that guide his practice, focusing in particular on three films: “Sinofuturism (1839-2046 AD)“ (2016), “Geomancer” (2017), and “AIDOL” (2019). Lek is the 2020 Sarah Lee Elson International Artist-In-Residence.

THE PROSPECT | December 6

Courtesy of Jake Turney

Sheku and Isata Kanneh-Mason: Chamber music with intimacy

During a period in which a pandemic has restricted communication, both verbal and musical in nature, brother-sister cellist and pianist duo Sheku and Isata Kanneh-Mason performed a program of chamber works rich in interaction, comprised of works by Beethoven, Saint-Saëns, and Rachmaninoff, that spanned the widest possible breadth of the Romantic period. 

THE PROSPECT | December 6

Mel Hornyak / Theatre Intime

Theatre Intime’s ‘As You Like It: A Radio Play’ is a multifront victory for accessible theater

“As You Like It,” which premiered on Nov. 20, is the second PSC production I’ve seen — or, I should say, heard. Unlike previous PSC shows, this comedy took place virtually in the “radio play” format, named for the historic practice of theater works which are performed over radio broadcast.

THE PROSPECT | December 6

Samuel Li/The Daily Princetonian

DISPATCH | Summer At Last

The sun sets later day by day in the southern hemisphere. By an unfortunate combination of Princeton’s academic calendar and the onset of COVID-19, I have lived through three consecutive autumn/winter cycles, so it’s a refreshing change of scenery to finally roll into summer. This also happens to be the first summer that I will spend on a gap year.

THE PROSPECT | December 6