Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.
Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.
Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.
Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.
Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”
Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”
Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.
Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.
Staff writer for the Prospect Natalia Diaz reviews the Princeton University Ballet’s recent show “chroma” — a vibrant and colorful performance.
Staff writer for the Prospect Natalia Diaz reviews the Princeton University Ballet’s recent show “chroma” — a vibrant and colorful performance.
Contributing writer for The Prospect Isabella Rivera reviews a new student musical, “A Life Worth Living.”
Contributing writer for The Prospect Isabella Rivera reviews a new student musical, “A Life Worth Living.”
Contributing writer for The Prospect Faith Ho reviews USG screened movie, “Conclave.”
Contributing writer for The Prospect Faith Ho reviews USG screened movie, “Conclave.”
Contributing writer for the Prospect Marley Hartnett-Cody talks with Kendall Jeong ’25, whose stage name is DJ KJ, about how a lifelong love of EDM jump-started her DJ career.
Contributing writer for the Prospect Marley Hartnett-Cody talks with Kendall Jeong ’25, whose stage name is DJ KJ, about how a lifelong love of EDM jump-started her DJ career.
Isabella Dail, head editor of The Prospect and staff writer for News, interviews Pulitzer Prize winner Paul Muldoon about his spoken word group, Rogue Oliphant.
Isabella Dail, head editor of The Prospect and staff writer for News, interviews Pulitzer Prize winner Paul Muldoon about his spoken word group, Rogue Oliphant.
Assistant Editor for The Prospect Annie Wang talks with Maddie Feldman about her DJing experience under the name Disc Rocky.
Assistant Editor for The Prospect Annie Wang talks with Maddie Feldman about her DJing experience under the name Disc Rocky.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Regina Roberts, associate editor for The Prospect, leaps into the audition process for dance companies at Princeton.
Regina Roberts, associate editor for The Prospect, leaps into the audition process for dance companies at Princeton.
