Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.
Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.
Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.
Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.
Contributing writer for The Prospect Mia Mazzeo reviews the Princeton University Players and Theatre Intime's "Company."
Contributing writer for The Prospect Mia Mazzeo reviews the Princeton University Players and Theatre Intime's "Company."
Editors from The Prospect give you their recent favorites in media, trends, and food.
Editors from The Prospect give you their recent favorites in media, trends, and food.
Contributing writer for The Prospect Amaya Taylor reviews PSAT’s “bizarre and fun” retelling of “Legally Blonde.”
Contributing writer for The Prospect Amaya Taylor reviews PSAT's "bizarre and fun" retelling of "Legally Blonde."
Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."
Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.
Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.
Contributing writer for the Prospect Kaichen Chou reviews “I & You: The Musical.”
Staff writer for The Prospect Amanda Hugas reviews Cat Cohen ’13’s comedy show at the Graduate Hotel.
Staff writer for The Prospect Amanda Hugas reviews Cat Cohen ’13’s comedy show at the Graduate Hotel.
Contributing Writer for The Prospect Monica Zepeda covers Princeton’s very first performative male competition.
Contributing Writer for The Prospect Monica Zepeda covers Princeton’s very first performative male competition.
Associate Editor for The Prospect Gavin McLoughlin recaps Porchfest 2025.
Associate Editor for The Prospect Gavin McLoughlin recaps Porchfest 2025.
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”
Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.
Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.
Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.
Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.
Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”
Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”
Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.
Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.
