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Arts

Mediterranean Pavilion.heic

PUAM’s Ancient Mediterranean Pavilion steps into the past, with a modern twist

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

Contributing writer for The Prospect Zane Mills VanWicklen details how the Ancient Mediterranean pavilion in the new Princeton University Art Museum is a “step back in time.”

THE PROSPECT | November 14

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The outside of a theater during sunset.

Mark Morris speaks on artistic legacy and music

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

Staff writer for The Prospect Annika Plunkett covered renowned dance choreographer Mark Morris for the first installment of Princeton University Concerts’ annual Healing with Music series.

THE PROSPECT | October 23

A black and white print is against a white wall.

In ‘spinnerets,’ spiders and silk tell the story of the balloon war

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

The exhibit’s art, drawing inspiration from the spider, is also metaphorical for the balloon war that erupted between North Korea and South Korea on May 28, 2024. This is no feel-good exhibition; it is a learning experience. 

THE PROSPECT | October 10

A group of nine dancers dressed in jeans and white tops mid-movement. The lighting gives the dancers a purple hue.

A celebration of black joy: Camille A. Brown’s I AM redefines the performer/audience relationship at the McCarter Theater

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

THE PROSPECT | October 6