“When the last movement built to its dramatic end, tension filled the lingering silence. Then, an uproar of applause.”
“When the last movement built to its dramatic end, tension filled the lingering silence. Then, an uproar of applause.”
“When the last movement built to its dramatic end, tension filled the lingering silence. Then, an uproar of applause.”
“When the last movement built to its dramatic end, tension filled the lingering silence. Then, an uproar of applause.”
“Every spin and shuffle provoked amazement. Each leg swing, torso sway, and boisterous jump possessed power. Dexterity of the hand motions, intricacy of the footwork, and sharpness of the movements highlighted suave, groovy energy.”
“Every spin and shuffle provoked amazement. Each leg swing, torso sway, and boisterous jump possessed power. Dexterity of the hand motions, intricacy of the footwork, and sharpness of the movements highlighted suave, groovy energy.”
On Jan. 31, the University community had the opportunity to hear Davi Kopenawa speak about the ongoing systematic erasure of the Yanomami people and what it means for the Amazon Rainforest.
On Jan. 31, the University community had the opportunity to hear Davi Kopenawa speak about the ongoing systematic erasure of the Yanomami people and what it means for the Amazon Rainforest.
“These books in one way or another reflect themes not only in my work but also in my time thus far in academia. I enjoy reading about characters with similar doubts, banter, journeys, and questions as me. For some, these books might be too close to home — especially at this time of year — but I like to lean in and appreciate the connection and ultimate triumph, even if it is fictional.”
“These books in one way or another reflect themes not only in my work but also in my time thus far in academia. I enjoy reading about characters with similar doubts, banter, journeys, and questions as me. For some, these books might be too close to home — especially at this time of year — but I like to lean in and appreciate the connection and ultimate triumph, even if it is fictional.”
“How can one trace the steps of someone who seems to be everywhere? As they travel across the world following clue after clue, the audience wonders if they are actually in search of the myth, or for meaning in their own life.”
“How can one trace the steps of someone who seems to be everywhere? As they travel across the world following clue after clue, the audience wonders if they are actually in search of the myth, or for meaning in their own life.”
“The evidence was undeniable — BAC wasn’t just building a group of great dancers, it was building a community.”
“The evidence was undeniable — BAC wasn’t just building a group of great dancers, it was building a community.”
“We want it to be a community of Black people who want to make art together and who are dedicated to that,” said Aishah Balogun ’23.
“We want it to be a community of Black people who want to make art together and who are dedicated to that,” said Aishah Balogun ’23.
“The show offered a fusion of the modern and traditional, threaded along by the narrative of a family reunion … and all the inevitable drama.”
“The show offered a fusion of the modern and traditional, threaded along by the narrative of a family reunion … and all the inevitable drama.”
“We all need a song or two to build confidence for hitting submit for a conference, journal, or grant and seeing how the universe reacts. Jepsen knows that things will not always work out; nevertheless, she dares to believe in a world where things will.”
“We all need a song or two to build confidence for hitting submit for a conference, journal, or grant and seeing how the universe reacts. Jepsen knows that things will not always work out; nevertheless, she dares to believe in a world where things will.”
“The current exhibition at Hulfish transcends simple snapshots by dialoguing with viewers on important themes of identity, expression, and the individual relationship to the larger society around them.”
“The current exhibition at Hulfish transcends simple snapshots by dialoguing with viewers on important themes of identity, expression, and the individual relationship to the larger society around them.”
Emmy-nominated movie and television actor Jonathan Majors sat down with Professor in the Humanities Paul Muldoon, who also serves as the director of the Princeton Atelier, to discuss Majors’s past roles and what the general public can expect from his upcoming movies.
Emmy-nominated movie and television actor Jonathan Majors sat down with Professor in the Humanities Paul Muldoon, who also serves as the director of the Princeton Atelier, to discuss Majors’s past roles and what the general public can expect from his upcoming movies.
Marilyn Chin, a new faculty member in Princeton’s Program in Creative Writing, shares her experience creating space for marginalized voices in poetry and what she is bringing to her students as an “ambassador for poetry.” According to Chin, “Whatever upsets you in your heart that you need to express, you’re going to express it.”
Marilyn Chin, a new faculty member in Princeton’s Program in Creative Writing, shares her experience creating space for marginalized voices in poetry and what she is bringing to her students as an “ambassador for poetry.” According to Chin, “Whatever upsets you in your heart that you need to express, you’re going to express it.”
Though Oates described “Blonde” the film as “a brilliant work of cinematic art,” she added the disclaimer that it’s “not for everyone.”
Though Oates described “Blonde” the film as “a brilliant work of cinematic art,” she added the disclaimer that it’s “not for everyone.”
Contributing writer Allison Jiang reports on the intersection between disability and the arts, as presented in Kayla Hamilton and x’s performances at the Lewis Arts Complex.
Contributing writer Allison Jiang reports on the intersection between disability and the arts, as presented in Kayla Hamilton and x’s performances at the Lewis Arts Complex.
The play, written by Eliana Cohen-Orth ’21, directed by Eliyana Abraham ’23 for her directing thesis, and featuring Rosemary Paulson ’23 for her acting thesis, was presented in Wallace Theater from Oct. 7 through Oct. 9.
The play, written by Eliana Cohen-Orth ’21, directed by Eliyana Abraham ’23 for her directing thesis, and featuring Rosemary Paulson ’23 for her acting thesis, was presented in Wallace Theater from Oct. 7 through Oct. 9.
