Five writers for The Prospect give their recommendations for the art that you must see during your visit to Princeton's new Art Museum!
Five writers for The Prospect give their recommendations for the art that you must see during your visit to Princeton's new Art Museum!
Staff Writer for The Prospect Emma Cinocca reviews Coffee Club’s new Valentine's menu drinks.
Staff Writer for The Prospect Emma Cinocca reviews Coffee Club’s new Valentine's menu drinks.
Staff writer for the Prospect recounts the conversation that the Princeton University Art Museum hosted with Pakistani-American artist Shahzia Sikander, as part of the series SAB Visiting Artist Conversation.
Staff writer for the Prospect recounts the conversation that the Princeton University Art Museum hosted with Pakistani-American artist Shahzia Sikander, as part of the series SAB Visiting Artist Conversation.
Emma Cinocca reviews Bainbridge House’s new exhibit: “Undercurrent” by artist Helène Aylon. The exhibit at the Princeton University Art Museum’s downtown gallery explores themes of femininity, religion, and resilience.
Emma Cinocca reviews Bainbridge House’s new exhibit: “Undercurrent” by artist Helène Aylon. The exhibit at the Princeton University Art Museum’s downtown gallery explores themes of femininity, religion, and resilience.
Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.
Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.
Staff writer for the Prospect Emma Cinocca reviews Triple 8‘s recent Spring 2024 show "Montage," and praises its portrayal of vastly-diverse dance styles.
Staff writer for the Prospect Emma Cinocca reviews Triple 8‘s recent Spring 2024 show "Montage," and praises its portrayal of vastly-diverse dance styles.
“They told stories through every aspect of the performance, from carefully-chosen costumes and emotive lyrics to the subtle use of facial expressions as they danced. I was invigorated by the performance — and for good reason.”
“They told stories through every aspect of the performance, from carefully-chosen costumes and emotive lyrics to the subtle use of facial expressions as they danced. I was invigorated by the performance — and for good reason.”
“The audience connected deeply with both performances, laughing with Cisneros at just the right moments and holding the contemplative pauses that Ma’s “Peking Duck” demanded.”
“The audience connected deeply with both performances, laughing with Cisneros at just the right moments and holding the contemplative pauses that Ma’s “Peking Duck” demanded.”
