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Music

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Princeton student musicians find opportunity and relief through original music

Princeton student musicians write and record their own songs in communal studios or even dorm rooms, often debuting these songs on streaming platforms and at live venues on campus. Even among the challenges of Princeton, these students have made original music an integral part of their college experience. 

Princeton student musicians write and record their own songs in communal studios or even dorm rooms, often debuting these songs on streaming platforms and at live venues on campus. Even among the challenges of Princeton, these students have made original music an integral part of their college experience. 

FEATURES | 02/01/2022

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Inside the Princeton University Band… and their plastic Santa

Adorned in flamboyant plaid orange and black suits, topped with their characteristic boaters, the Princeton University Band is not hard to spot on Princeton’s campus. At an Ivy League institution where student groups often have high barriers of entry and demand significant commitment from their members, the Band stands apart as an outlet for entertainment and comedic relief.

Adorned in flamboyant plaid orange and black suits, topped with their characteristic boaters, the Princeton University Band is not hard to spot on Princeton’s campus. At an Ivy League institution where student groups often have high barriers of entry and demand significant commitment from their members, the Band stands apart as an outlet for entertainment and comedic relief.

FEATURES | 01/25/2022

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The transformation of Adele: “30” Review

All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”

All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”

THE PROSPECT | 12/08/2021

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Lovejoy returns with EP “Pebble Brain”

“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”

“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”  

THE PROSPECT | 12/05/2021

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Astroworld: When do we hold artists accountable?

“While we can remember that these celebrities are humans — they can make mistakes — we must also realize that they are humans with significant influence. When an idol consistently encourages reckless behavior, what they’re saying to fans is, ‘Hey, this is okay.’”  

“While we can remember that these celebrities are humans — they can make mistakes — we must also realize that they are humans with significant influence. When an idol consistently encourages reckless behavior, what they’re saying to fans is, ‘Hey, this is okay.’”    

THE PROSPECT | 11/22/2021

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On listening to foreign music: Why songs matter beyond their lyrics

For The Prospect, Associate Editor Aster Zhang reflects on why they enjoy listening to foreign music, even when it’s in a language they don’t understand — finding freedom in not understanding any particular narrative in a song.

For The Prospect, Associate Editor Aster Zhang reflects on why they enjoy listening to foreign music, even when it’s in a language they don’t understand — finding freedom in not understanding any particular narrative in a song.

THE PROSPECT | 11/02/2021

Theresa Thames Singing

‘Anyone, anywhere can tell a story’: Rev. Dean Theresa Thames on storytelling, community, and rap aspirations

Reverend Theresa Thames, Associate Dean of Religious Life and of the Chapel, is known for bringing compassion and humor to her work at the University. A self-proclaimed storyteller, she shared her experiences bringing people together before and during the pandemic, and how she navigates being “unapologetically feminist and black and queer” in the church. And she’s not stopping there: she’s also an aspiring rapper, barber, and social media influencer.

Reverend Theresa Thames, Associate Dean of Religious Life and of the Chapel, is known for bringing compassion and humor to her work at the University. A self-proclaimed storyteller, she shared her experiences bringing people together before and during the pandemic, and how she navigates being “unapologetically feminist and black and queer” in the church. And she’s not stopping there: she’s also an aspiring rapper, barber, and social media influencer. 

FEATURES | 10/04/2021

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Sheku and Isata Kanneh-Mason: Chamber music with intimacy

During a period in which a pandemic has restricted communication, both verbal and musical in nature, brother-sister cellist and pianist duo Sheku and Isata Kanneh-Mason performed a program of chamber works rich in interaction, comprised of works by Beethoven, Saint-Saëns, and Rachmaninoff, that spanned the widest possible breadth of the Romantic period. 

THE PROSPECT | 12/06/2020

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From folk to hip-hop: protest music through the years

Increasingly political content in entertainment is quickly becoming an epochal, cultural trend. But despite its increasing frequency, it continues to be accompanied by staunch, resolute objection: people continue to dislike the invasive nature of today’s politics, and especially its invasion into entertainment and media. But perhaps those voices are forgetting that entertainment has always been political and nowhere is this more clearly seen than in the rich history of protest music in the United States of America.

THE PROSPECT | 10/28/2020

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Queueing Up Some Quarantunes: Prospect Recommendations, Week Three [Spotify Playlists]

Living in a global pandemic leaves you with little to do to keep yourself entertained. To help combat impending boredom, Prospect has launched a series in which our Staff recommend content and creative outlets to keep you occupied while you’re stuck in your home. This week, our writers and editors curated some fabulous playlists for you to jam out to during studying. Here are the songs we recommend that you listen to during quarantine.

THE PROSPECT | 04/23/2020

The Daily Princetonian

What's hot on campus?

Comedy: Fuzzy Dice Improv Comedy presents “Sidekicks” Some refer to them as “scrubs” or “newbs” (alternatively, “n00bs”), but Fuzzy Dice would like to introduce their new members as “sidekicks.” Sidekicks aren’t lame; they’re necessary for bringing out the awesome in the superheroes they will eventually become.

NEWS | 11/18/2015