Aster Zhang

Combining piano and tap dance, Tao, Teicher stun and reinvent at Richardson Hall

This is the kind of music that overturns what you thought you knew about everything you’ve heard before. It makes you, sitting up on stage with the performers, think, “Jesus, what have I been listening to for my entire life?” 

This is the kind of music that overturns what you thought you knew about everything you’ve heard before. It makes you, sitting up on stage with the performers, think, “Jesus, what have I been listening to for my entire life?” 

On listening to foreign music: Why songs matter beyond their lyrics

For The Prospect, Associate Editor Aster Zhang reflects on why they enjoy listening to foreign music, even when it’s in a language they don’t understand — finding freedom in not understanding any particular narrative in a song.

For The Prospect, Associate Editor Aster Zhang reflects on why they enjoy listening to foreign music, even when it’s in a language they don’t understand — finding freedom in not understanding any particular narrative in a song.

‘Solar Power’: predictable to a fault

Lorde released her third studio album “Solar Power” on Aug. 20. “Solar Power” is a marked shift from the musical identity Lorde has cultivated among her following with her critically-acclaimed albums “Pure Heroine” (2013) and “Melodrama” (2017).  

Lorde released her third studio album “Solar Power” on Aug. 20. “Solar Power” is a marked shift from the musical identity Lorde has cultivated among her following with her critically-acclaimed albums “Pure Heroine” (2013) and “Melodrama” (2017).  

In difficult times, Olsson’s grilled cheeses persist

Despite its perishability, cheese as a concept might be more “pandemic-proof” than it initially seems. 

Despite its perishability, cheese as a concept might be more “pandemic-proof” than it initially seems. 

Intersections, the Fifth Installment

As we spring right into March, welcome back to the fifth installment of Intersections, a newsletter run by The Prospect section of The Daily Princetonian dedicated to delivering arts and culture to your inbox. 

Intersections: Welcome Back!

As we ease into the Spring Semester, we are excited to welcome you back to Intersections, The Prospect's newsletter dedicated to delivering arts and culture to your inbox.

Sheku and Isata Kanneh-Mason: Chamber music with intimacy

During a period in which a pandemic has restricted communication, both verbal and musical in nature, brother-sister cellist and pianist duo Sheku and Isata Kanneh-Mason performed a program of chamber works rich in interaction, comprised of works by Beethoven, Saint-Saëns, and Rachmaninoff, that spanned the widest possible breadth of the Romantic period. 

Arts Council of Princeton receives $50,000 grant for COVID-19 relief

At the 54th annual meeting of the New Jersey State Council on the Arts on Oct. 27, the Arts Council of Princeton was named the recipient of a $50,000 grant in an effort to support New Jersey’s arts organizations in weathering the effects of the COVID-19 pandemic.  

Cellist Robin Park ’23 discusses COVID-19 and racial equity in music

Robin Park ’23, a sophomore at Princeton University, is a cellist from Princeton Junction, N.J. In our conversation, Robin and I touched on topics of music practice and performance, racial and economic equity in classical music, and the effects of the pandemic on the University’s academics and music-making. 

Takács String Quartet reimagines the conventional in virtuosic performance

The Takács’ concert, hosted by Marna Seltzer, was the opening night of Princeton University Concerts’ 2020–21 season, and they brought to their virtual evening a program of works by Mozart, Coleridge-Taylor, Bartók, and Debussy.