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Kerrie Liang


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Starting with the chaos: An interview with Michael Garcia, the mind behind 'Acero'

“I wanted the processing of the work to not be limited to the theater, but to be extended to their own lives and to live on in their memory,“ said Michael Garcia ‘23.

“I wanted the processing of the work to not be limited to the theater, but to be extended to their own lives and to live on in their memory,“ said Michael Garcia ‘23.


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Valentine's Prospects

Whether you’re single, taken, battling a six-year situationship, or still mourning that breakup from a year ago, The Prospect invites you to join us on our emotional rollercoaster. We hope you enjoy.

Whether you’re single, taken, battling a six-year situationship, or still mourning that breakup from a year ago, The Prospect invites you to join us on our emotional rollercoaster. We hope you enjoy.


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The Prospect: Year in Review 2022

As the year comes to a close, we look back on the article, reviews, essays and more that capture the joint exploration and interrogation of our art and our lives as we pushed through towards 2023.

As the year comes to a close, we look back on the article, reviews, essays and more that capture the joint exploration and interrogation of our art and our lives as we pushed through towards 2023.


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Sitting down with Emmy-award winning documentary filmmakers Lily Shangreaux ’74 and Dan Bigbee Jr.

On today’s special episode of Daybreak, listen to Podcast contributor Lina Kim and assistant Podcast editor Kerrie Liang sit down with Lily Shangreaux ’74 and Dan Bigbee Jr, co-producers of the Emmy-award winning documentary “Osage Murders: Reign of Terror.”

On today’s special episode of Daybreak, listen to Podcast contributor Lina Kim and assistant Podcast editor Kerrie Liang sit down with Lily Shangreaux ’74 and Dan Bigbee Jr, co-producers of the Emmy-award winning documentary “Osage Murders: Reign of Terror.”


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‘What is America? Who is America?’: Q&A with Art Museum curator Mitra Abbaspour

“In collecting contemporary Indigenous art, I may have set out to complicate the definition of what America is, but I certainly have learned and continue to learn the ways that my own identity and education as a US citizen has structured a worldview that is only one way of seeing history.”

“In collecting contemporary Indigenous art, I may have set out to complicate the definition of what America is, but I certainly have learned and continue to learn the ways that my own identity and education as a US citizen has structured a worldview that is only one way of seeing history.”


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