Entertainment

Music and love: Alec Baldwin at Richardson Auditorium

Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.

Staff writer for The Prospect Annika Plunkett covers Alec Baldwin’s conversation on music at Richardson Auditorium.

‘The Love Hypothesis’ fails at its own genre

Associate Editor for The Prospect Amaya Taylor reviews Princeton's advance screening of "The Love Hypothesis."

Associate Editor for The Prospect Amaya Taylor reviews Princeton's advance screening of "The Love Hypothesis."

‘Hope’ might just be a hopeless cause

Contributing writer for The Prospect Alexis Choi reviews the South Korean film "Hope."

Contributing writer for The Prospect Alexis Choi reviews the South Korean film "Hope."

More than awards: The PTONYs unite Princeton’s theater community

Senior writer for The Prospect Amanda Hugas recaps Princeton’s first PTONY awards.

Senior writer for The Prospect Amanda Hugas recaps Princeton’s first PTONY awards.

Fuzzy Dice is on a roll

Contributing writer for The Prospect Mia Mazzeo interviews student improv group Fuzzy Dice.

Contributing writer for The Prospect Mia Mazzeo interviews student improv group Fuzzy Dice.

All hail the newest sci-fi hit: “Project Hail Mary”

Senior writer for The Prospect Mackenzie Hollingsworth reviews "Project Hail Mary."

Senior writer for The Prospect Mackenzie Hollingsworth reviews "Project Hail Mary."

Misery loves ‘Company,’ and so do I

Contributing writer for The Prospect Mia Mazzeo reviews the Princeton University Players and Theatre Intime's "Company."

Contributing writer for The Prospect Mia Mazzeo reviews the Princeton University Players and Theatre Intime's "Company."

Prospect Picks: From the blizzard

Editors from The Prospect give you their recent favorites in media, trends, and food.

Editors from The Prospect give you their recent favorites in media, trends, and food.

South Asian Theatrics’ Legally Brown: wonderfully absurd and horrifically brain-rotted

Contributing writer for The Prospect Amaya Taylor reviews PSAT’s “bizarre and fun” retelling of “Legally Blonde.”

Contributing writer for The Prospect Amaya Taylor reviews PSAT's "bizarre and fun" retelling of "Legally Blonde."

The joyous process before eXpressions’ “Masquerade” show

Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."

Contributing writer for The Prospect Monica Zepeda gives readers a behind the scenes look at a dress rehearsal of eXpressions Dance Company's new show "Masquerade."

‘300 Paintings’ delivers an equally hilarious and human commentary on artistry, mental health, and self-acceptance

Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.

Head Editor for The Prospect Gavin McLoughlin reviews “300 Paintings,” an absurd, intimate, yet wildly funny performance at McCarter.

‘I & You: The Musical’ delivers spinning sets and shallow surprises

Contributing writer for the Prospect Kaichen Chou reviews “I & You: The Musical.”

In Graduate Hotel comedy show, Cat Cohen ’13 jokes about the holy trinity: Ivy, herpes, and therapy

Staff writer for The Prospect Amanda Hugas reviews Cat Cohen ’13’s comedy show at the Graduate Hotel.

Staff writer for The Prospect Amanda Hugas reviews Cat Cohen ’13’s comedy show at the Graduate Hotel.

The ultra-feminist and Labubu epidemic: Princeton’s first Performative Male Competition

Contributing Writer for The Prospect Monica Zepeda covers Princeton’s very first performative male competition.

Contributing Writer for The Prospect Monica Zepeda covers Princeton’s very first performative male competition.

Punk rock and hoedowns: my 2025 Porchfest experience

Associate Editor for The Prospect Gavin McLoughlin recaps Porchfest 2025.

Associate Editor for The Prospect Gavin McLoughlin recaps Porchfest 2025.

Anora: A powerful, realistic Cinderella story

Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”

Prospect Contributor Meredith Sneed reviews the Oscar-winning Best Picture “Anora.”

Bridging cultural divides at the Thomas Edison Film Festival

Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.

Contributing Writer for The Prospect Irene Kim reviews the breadth of films featured at the 44th annual Thomas Edison Film Festival, hosted this year by the Princeton Program in Visual Arts.

‘I’m still here’: the terror of not knowing

Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.

Alex MacArthur reviews Oscar-nominated film “I’m Still Here,” which paints a picture of Brazil during its time under a military dictatorship.

Lucinda Williams tells McCarter Theatre her secrets

Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”

Contributing writer for the Prospect Lily Hutcheson details the recent performance by singer-songwriter Lucinda Williams at Princeton in her show “Don't Tell Anybody the Secrets I Told You.”

‘A Real Pain’ USG Movies Review: How does one process grief?

Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.

Contributing writer for the Prospect Meredith Sneed reviews USG Movies’ latest screening of Jesse Eisenberg’s film “A Real Pain,” which explores how one processes grief.