Contributing Writer Sage Kanemaru reflects on his experience participating in Sympoh bootcamps and finding an important community in the campus group.
Contributing Writer Audrey Zhang takes readers through the process of creating her first sculpture, the inspirations she drew from, and her thought process while building.
Contributing Writer Audrey Zhang takes readers through the process of creating her first sculpture, the inspirations she drew from, and her thought process while building.
“Silma’s works defy convention and cliché. She is really honing into the detail and nuance of this particular dynamic and this particular couple,“ said Shariffa Ali, a lecturer in the theater department and Berrada’s advisor. Auhjanae McGee, head editor emerita of The Prospect, speaks with the creators behind “B + M,” a play about young Black love written by Silma Berrada ’22.
“Silma’s works defy convention and cliché. She is really honing into the detail and nuance of this particular dynamic and this particular couple,“ said Shariffa Ali, a lecturer in the theater department and Berrada’s advisor. Auhjanae McGee, head editor emerita of The Prospect, speaks with the creators behind “B + M,” a play about young Black love written by Silma Berrada ’22.
Staff Writer for the Prospect Thia Bian reflects on Van Gogh’s letters, his desperation to change the world, and the lesson that “little happinesses” are more important than the pressure to be revolutionary.
Staff Writer for the Prospect Thia Bian reflects on Van Gogh’s letters, his desperation to change the world, and the lesson that “little happinesses” are more important than the pressure to be revolutionary.
Senior Writer Gabriel Robare reviews “Recitatif,“ Toni Morrison’s rare and recently-re-released short story.
Senior Writer Gabriel Robare reviews “Recitatif,“ Toni Morrison’s rare and recently-re-released short story.
Theatre Intime presented the Freshman One-Act Festival over the weekend. Featuring four short plays, a company of first year students considers what it means to live a banal life, how to live in times of crisis, and what the medium of the stage can be. Senior Writer Gabriel Robare reviews for The Prospect.
Theatre Intime presented the Freshman One-Act Festival over the weekend. Featuring four short plays, a company of first year students considers what it means to live a banal life, how to live in times of crisis, and what the medium of the stage can be. Senior Writer Gabriel Robare reviews for The Prospect.
With all the work that has to be done this week, it’s easy to feel overwhelmed. Whether it’s because you need an epic soundtrack to help you focus or simply because you’re sick of Lofi Girl, I’ve got you covered!
With all the work that has to be done this week, it’s easy to feel overwhelmed. Whether it’s because you need an epic soundtrack to help you focus or simply because you’re sick of Lofi Girl, I’ve got you covered!
In her sophomore year of high school, Camryn Stafford ‘23 had the idea for the Turning Tables project as a way to address the racial inequities she observed in the dance world. What started as a one-off dance show has since grown into a recognized 501(c)(3) charitable organization working to increase visibility and resources for dancers of color.
In her sophomore year of high school, Camryn Stafford ‘23 had the idea for the Turning Tables project as a way to address the racial inequities she observed in the dance world. What started as a one-off dance show has since grown into a recognized 501(c)(3) charitable organization working to increase visibility and resources for dancers of color.
Open from Dec. 4 to Jan. 23, “Orlando” presents a collection of photographic work that considers the gender and physicality of the human body, drawing on the eponymous film’s own story about liberation from gender and social norms. Tilda Swinton, the film’s star, guest-curated the exhibition.
Open from Dec. 4 to Jan. 23, “Orlando” presents a collection of photographic work that considers the gender and physicality of the human body, drawing on the eponymous film’s own story about liberation from gender and social norms. Tilda Swinton, the film’s star, guest-curated the exhibition.
The modern and contemporary-focused company not only experimented with musical textures but also explored the poetic elements of dance, such as the intentional repetition of movement and the contrast of continuity with dynamism.
The modern and contemporary-focused company not only experimented with musical textures but also explored the poetic elements of dance, such as the intentional repetition of movement and the contrast of continuity with dynamism.
After months with the curtains drawn closed, theaters in New York City have finally been welcoming back artists and audiences. Among the returners are Princeton’s students and professional artists who are excited to be in the room yet also cognizant that so much has changed for live theater.
After months with the curtains drawn closed, theaters in New York City have finally been welcoming back artists and audiences. Among the returners are Princeton’s students and professional artists who are excited to be in the room yet also cognizant that so much has changed for live theater.
The concert was an evening free of judgement and affectation, focused on the beauty of the music and the relationships between performers, rather than the stuffy practices of more traditional or formal concerts.
The concert was an evening free of judgement and affectation, focused on the beauty of the music and the relationships between performers, rather than the stuffy practices of more traditional or formal concerts.
Contributing Writer Thia Bian reviews Sally Rooney’s newest novel, “Beautiful World Where Are You,” arguing that while the novel interrogates the place of love and beauty in a falling world, it fails to provide a satisfying resolution or exploration of these difficult questions.
Contributing Writer Thia Bian reviews Sally Rooney’s newest novel, “Beautiful World Where Are You,” arguing that while the novel interrogates the place of love and beauty in a falling world, it fails to provide a satisfying resolution or exploration of these difficult questions.
Theatre Intime’s production of “Much Ado About Nothing,” the Bard of Avon’s silly enemies-to-lovers comedy, opened on Friday, Nov. 12 and will occur three more times this weekend.
Theatre Intime’s production of “Much Ado About Nothing,” the Bard of Avon’s silly enemies-to-lovers comedy, opened on Friday, Nov. 12 and will occur three more times this weekend.
The free event, which took place in Richardson Auditorium, consisted of a performance from Princeton students and sets from the Harvard and Yale Glee Clubs. The concert was a collaborative effort between the three universities to raise money for the nonprofit “Save the Music,” which funds public school music programs in New Jersey, Connecticut, and Massachusetts.
The free event, which took place in Richardson Auditorium, consisted of a performance from Princeton students and sets from the Harvard and Yale Glee Clubs. The concert was a collaborative effort between the three universities to raise money for the nonprofit “Save the Music,” which funds public school music programs in New Jersey, Connecticut, and Massachusetts.
“The Lyrics” is a two-volume, 960-page “self-portrait” of McCartney told through 154 of his songs, along with commentaries, photos, and other notes from his life.
“The Lyrics” is a two-volume, 960-page “self-portrait” of McCartney told through 154 of his songs, along with commentaries, photos, and other notes from his life.
“Telepath” is an amalgamation of old and new. While the track is nostalgic, reminiscent of ’80s disco music, the lyrics detail the ever-so-relatable experience of a dying relationship.
“Telepath” is an amalgamation of old and new. While the track is nostalgic, reminiscent of ’80s disco music, the lyrics detail the ever-so-relatable experience of a dying relationship.
Gideon McFarland ’22 said that while Old NasSoul lost a lot during the pandemic, the time away gave the group space to evaluate itself and think intentionally about how to move forward: “I think it'll be a great year of new music and exciting performances and we can't wait to share it all with the campus community.”
Gideon McFarland ’22 said that while Old NasSoul lost a lot during the pandemic, the time away gave the group space to evaluate itself and think intentionally about how to move forward: “I think it'll be a great year of new music and exciting performances and we can't wait to share it all with the campus community.”
This is the kind of music that overturns what you thought you knew about everything you’ve heard before. It makes you, sitting up on stage with the performers, think, “Jesus, what have I been listening to for my entire life?”
This is the kind of music that overturns what you thought you knew about everything you’ve heard before. It makes you, sitting up on stage with the performers, think, “Jesus, what have I been listening to for my entire life?”
