Street's writers pick their favorite TV shows, Nassau eateries, art exhibits, dance shows and concerts of the year.
Street's film critic picks his favorite music videos of the year; movie lists will have to wait till Oscar season!
R. Kelly doesn't try to tone down his outlandish image; 'Untitled' is his raunchiest yet.
James Stephens is the only weak link in an otherwise perfectly serviceable production.
Amid the self-indulgence of holiday cheer, the compulsory time spent with family and friends and the cyclical napping to make up for months of sleep deprivation, you might find yourself craving a little TV during winter break.
This week she discusses how (and whether) to be Santa's little helper
Dominique Salerno ’10’s senior thesis production of the Steven Dietz docu-drama is a thought-provoking portrait of one of the darkest corners of American society.
In a change from past diSiac performances, which seemed to highlight "wow" moments based purely on feats of technique, "Borderlines," the company's latest production, tells a much more interesting story about the threshold of the psyche.
Top Ten ways to score a last minute date to Winter Formals.
It's a pop star cluster-fuck — the equivalent of three summer blockbusters hitting theaters simultaneously.
Just in time for Hanukkah, she discusses the pros and cons of snipping.
"I enjoy people creating art with my art," Joshua Kirsch tells me as he screws in one of the more than 3,000 screws needed to install the "interactive musical instrument sculpture."
The success of Dostoevsky's novel "Crime and Punishment" comes from the reader sympathizing with the logic of Raskolnikov, a depressed, eventually homicidal man. The failure of Theatre Intime's production of "Crime and Punishment" is the utter unrelatability of that man.
This weekend: "Tartuffe," "Posada," "God's Country," and "Precious"
This weekend, Dominique Salerno' 10 is directing her thesis production, Steven Dietz's "God's Country." The documentary play is based on the true story of the assassination of Jewish radio talk show host Alan Berg and the white supremacist group--The Order--that carried it out.
A college radio station that may just reach more prisoners than students
PUB masterfully stages the second half of the classic Christmas ballet.
Francesca Furchtgott ’12’s innovative take on Moliere’s classic comedy begins abruptly, its start signaled not by the lowering of the house lights and the opening of a curtain but by the cast’s disorderly entrance through the back of the theater.
