Follow us on Instagram
Try our daily mini crossword
Subscribe to the newsletter
Download the app

the

ARTS & CULTURE

PROSPECT.

kyung-anticipation-love.jpeg

In anticipation of love

“From the distance we see in each other, love emerges.” Contributing writer Kyung Eun Lee reflects on finding love and community through solitude and struggle.

“From the distance we see in each other, love emerges.” Contributing writer Kyung Eun Lee reflects on finding love and community through solitude and struggle.

THE PROSPECT | 10/11/2022

The Wolves : Courtesy of Fotobuddy Photography.jpeg

In ‘The Wolves,’ adolescence collides with adulthood under the lights and on the field

“‘The Wolves’ — subtly and then all at once — depicts how teenagers come into their own. In a chaotic collision of sports and grief and intense anxieties, viewers watch as these soccer players become who they will be.”

“‘The Wolves’ — subtly and then all at once — depicts how teenagers come into their own. In a chaotic collision of sports and grief and intense anxieties, viewers watch as these soccer players become who they will be.”

THE PROSPECT | 10/11/2022

Anticipatory articulation: Q&A with curator and artists of “Anticulation”

“It is a call back in time to express gratitude and wonder at the foresight of these incredible figures who articulated themselves even when those around them were uninterested because they anticipated me, they anticipated the audience that came out to this show, they anticipated a world that might lend an attentive ear.”

“It is a call back in time to express gratitude and wonder at the foresight of these incredible figures who articulated themselves even when those around them were uninterested because they anticipated me, they anticipated the audience that came out to this show, they anticipated a world that might lend an attentive ear.”

THE PROSPECT | 10/11/2022

Leonard Wantchekon - Courtesy of Princeton SPIA.jpeg

The story behind “The Woman King”: an interview with politics professor Leonard Wantchekon

The Daily Princetonian spoke with economics professor Leonard Wantchekon about his involvement with “The Woman King,“ a new film about a group of all-female warriors from the West African kingdom of Dahomey.

The Daily Princetonian spoke with economics professor Leonard Wantchekon about his involvement with “The Woman King,“ a new film about a group of all-female warriors from the West African kingdom of Dahomey.

THE PROSPECT | 10/09/2022

ginko tree prospect house - Rodrigo Córdova Rosado.jpeg

Tierra y memoria

“To see land and memory intertwined, the physical world and our experience of it, is perhaps one of the greatest lessons my communities have taught me.”

“To see land and memory intertwined, the physical world and our experience of it, is perhaps one of the greatest lessons my communities have taught me.”

THE PROSPECT | 10/09/2022

ADVERTISEMENT
art museum construction Candace Do DP.jpg

‘What is America? Who is America?’: Q&A with Art Museum curator Mitra Abbaspour

“In collecting contemporary Indigenous art, I may have set out to complicate the definition of what America is, but I certainly have learned and continue to learn the ways that my own identity and education as a US citizen has structured a worldview that is only one way of seeing history.”

“In collecting contemporary Indigenous art, I may have set out to complicate the definition of what America is, but I certainly have learned and continue to learn the ways that my own identity and education as a US citizen has structured a worldview that is only one way of seeing history.”

THE PROSPECT | 10/09/2022

marianne nicolson.jpg

Marianne Nicolson on Indigenous art, community, and visibility

“Nicolson’s art questions the material emphasis of a capitalist society. She explained that Indigenous artists have been pushed to commodify sacred and culturally significant art to satisfy consumer markets.” Contributing writer Isabella Dail reports on the art and archeology department’s artist conversation with Marianne Nicolson of Musgamakw Dzawada’enuxw First Nations.

“Nicolson’s art questions the material emphasis of a capitalist society. She explained that Indigenous artists have been pushed to commodify sacred and culturally significant art to satisfy consumer markets.” Contributing writer Isabella Dail reports on the art and archeology department’s artist conversation with Marianne Nicolson of Musgamakw Dzawada’enuxw First Nations.

THE PROSPECT | 10/09/2022

Junior Year Firestone Locker - JPFG.jpeg

Back to the B floor

Head Prospect Editor José Pablo Fernández García reflects on the calm and stability that Firestone Library’s B floor brings him, after all these years.

Head Prospect Editor José Pablo Fernández García reflects on the calm and stability that Firestone Library’s B floor brings him, after all these years.

THE PROSPECT | 10/06/2022

sheep meadow.jpg

Existence, in theory and in practice

“What I do on my Fridays has little bearing on my Tuesdays, and vice versa, yet I’ve found that it’s only through the dichotomy of these dual existences that I can be all of myself.” Contributing Prospect writer Joshua Yang reflects on balancing the theoretical, abstract world of philosophy and the concreteness of reality.

“What I do on my Fridays has little bearing on my Tuesdays, and vice versa, yet I’ve found that it’s only through the dichotomy of these dual existences that I can be all of myself.” Contributing Prospect writer Joshua Yang reflects on balancing the theoretical, abstract world of philosophy and concreteness of reality.

THE PROSPECT | 10/06/2022

dunkin dom media.png

An ode to Dunkin’

“For the first-years who never even knew this Dunkin’ once existed, let me enlighten you: This Dunkin’ did not have particularly good coffee or stellar customer service. It wasn’t always tasty or pleasant. It didn’t have the local charm of Small World or the customizability of Starbucks. But it was always there for you. And it was always the cheapest option.”

“For those first-years who never even knew this Dunkin’ existed, let me enlighten you: This Dunkin’ did not have particularly good coffee or stellar customer service. It wasn’t always tasty or pleasant. It didn’t have the local charm of Small World or the customizability of Starbucks. But it was always there for you. And it was always the cheapest option.”

THE PROSPECT | 10/03/2022

Haiku Workshop 2 - Itoh.jpeg

Haikus by Princetonians: Dr. Mayumi Itoh’s haiku workshop returns to Frist

“Because haikus have such a dependence on the writer’s surroundings, several students presented poetry that differed dramatically from that showcased in the in-person sessions. The students were experiencing the seasons differently than they would at Princeton, which was reflected in their writing.”

“Because haikus have such a dependence on the writer’s surroundings, several students presented poetry that differed dramatically from that showcased in the in-person sessions. The students were experiencing the seasons differently than they would at Princeton, which was reflected in their writing.”

THE PROSPECT | 09/29/2022

Boats - Abby Lu.jpg

In love I trust

“Yet, suddenly, I didn’t want to just pass these moments by anymore. I wanted to feel the sentimentality exalted in the song and to one day be able to claim thoughts like these as my own.”

“Yet, suddenly, I didn’t want to just pass these moments by anymore. I wanted to feel the sentimentality exalted in the song and, one day, be able to claim these thoughts as my own.”

THE PROSPECT | 09/28/2022

Soonja's.png

All eyes on Soonja’s Cuisine, where traditional Korean dishes offer an underrated taste

Contributing writer for The Prospect Russell Fan reviews Soonja’s Cuisine, a Korean restaurant off the beaten path — on Alexander Street.

Contributing writer for The Prospect Russell Fan reviews Soonja’s Cuisine, a Korean restaurant off the beaten path — on Alexander Street.

THE PROSPECT | 09/27/2022

seuls en scene.png

Seuls en Scène 2022 presents Traces: My experience with French theater

“Although it was slow, it made every word I read, heard, and felt even more meaningful.” The Princeton French Theater Festival returns with its twelfth annual performance, “Traces.”

“Although it was slow, it made every word I read, heard, and felt even more meaningful.” The Princeton French Theater Festival returns with its twelfth annual performance, “Traces.”

THE PROSPECT | 09/27/2022

Hamaguchi visit - Tyler Wilson.jpeg

Award-winning filmmaker Ryûsuke Hamaguchi visits Princeton

“Hamaguchi is not afraid. He dives in head first.” On Friday, September 23rd, Ryûsuke Hamaguchi spoke at Princeton’s Fall 2022 Bellknap Global Conversation as part of ‘Conversations,’ a weeklong celebration of Hamaguchi’s films involving a series of workshops for students and screenings of his recent work at the Garden Theater.

“Hamaguchi is not afraid. He dives in head first.” On Friday, September 23rd, Ryûsuke Hamaguchi spoke at Princeton’s Fall 2022 Bellknap Global Conversation as part of ‘Conversations,’ a weeklong celebration of Hamaguchi’s films involving a series of workshops for students and screenings of his recent work at the Garden Theater.

THE PROSPECT | 09/26/2022

sound-kitchen.jpg

To witness ‘The Thunder of the Present’: A thrilling encounter with the vocal music of today

“As I listened, I caught a few glimpses of this euphoric realm, where the physicality of musical expression is fully embraced — where music is not only something we do, but something we are.” Contributing Prospect Writer Jack Gallahan reviews Princeton Sound Kitchen’s latest performance, “New Works for Voice.”

“As I listened, I caught a few glimpses of this euphoric realm, where the physicality of musical expression is fully embraced — where music is not only something we do, but something we are.” Contributing Prospect Writer Jack Gallahan reviews Princeton Sound Kitchen’s latest performance, “New Works for Voice.”

THE PROSPECT | 09/26/2022