Entertainment

Too much Styles, not enough substance: “Don’t Worry Darling” review

“With such a compelling twist and heart-racing finale, simple competency in other aspects of the production would have made for an above-average film. Alas, this was too much to ask,” writes Wilson Conn in a review of the latest USG offering at the Princeton Garden Theatre.

“With such a compelling twist and heart-racing finale, simple competency in other aspects of the production would have made for an above-average film. Alas, this was too much to ask,” writes Wilson Conn in a review of the latest USG offering at the Princeton Garden Theatre.

USG Movie Review: ‘See How They Run’

Contributing writer Ella Colby provides a comprehensive review on ‘See How They Run,’ which was shown during a USG movie showing on Saturday, Oct. 1.

Contributing writer Ella Colby provides a comprehensive review on ‘See How They Run,’ which was shown during a USG movie showing on Saturday, Oct. 1.

The story behind “The Woman King”: an interview with politics professor Leonard Wantchekon

The Daily Princetonian spoke with economics professor Leonard Wantchekon about his involvement with “The Woman King,“ a new film about a group of all-female warriors from the West African kingdom of Dahomey.

The Daily Princetonian spoke with economics professor Leonard Wantchekon about his involvement with “The Woman King,“ a new film about a group of all-female warriors from the West African kingdom of Dahomey.

Alternative rock just isn't so alternative anymore

“The world’s tastes have simply evolved from the raw instrumentation of the 20th century, substituting it for a more electronic sound in a more technologically advanced age.”

“The world’s tastes have simply evolved from the raw instrumentation of the 20th century, substituting it for a more electronic sound in a more technologically advanced age.” 

Smith’s slap steals the show as CODA wins Best Picture at 94th Oscars

“The ceremony’s various antics drew more attention than the awards or films themselves.” Head Sports Editor Wilson Conn reviews a slapdash Academy Awards ceremony in a guest appearance in The Prospect.

“The ceremony’s various antics drew more attention than the awards or films themselves.” Head Sports Editor Wilson Conn reviews a slapdash Academy Awards ceremony in a guest appearance in The Prospect.

‘tick, tick… BOOM!’: chase your dreams, but at what cost?

“Immediately you’re drawn into Garfield’s theatrical performance. The messy hair, flitting eyes, expressive hand gestures, and breathy, impassioned voice...” Senior Writer Auhjanae McGee reviews “tick, tick, BOOM!” for The Prospect.

“Immediately you’re drawn into Garfield’s theatrical performance. The messy hair, flitting eyes, expressive hand gestures, and breathy, impassioned voice...” Senior Writer Auhjanae McGee reviews “tick, tick, BOOM!” for The Prospect.

Hell isn’t always sad, you can dance there too: on Mitski’s ‘Laurel Hell’

“With “Laurel Hell,” Mitski tells listeners that, instead of crying through the pain and heartbreak, you can dance through it.”

“With “Laurel Hell,” Mitski tells listeners that, instead of crying through the pain and heartbreak, you can dance through it.”

Breaking the cycle of disappointment: Animal Collective’s “Time Skiffs”

“Animal Collective went on autopilot for “Time Skiffs” in the best way possible. Its refreshing departure has quenched the drought.” Contributing Writer Nathan Beck reviews Animal Collective’s new album “Time Skiffs” for The Prospect.

“Animal Collective went on autopilot for “Time Skiffs” in the best way possible. Its refreshing departure has quenched the drought.” Contributing Writer Nathan Beck reviews Animal Collective’s new album “Time Skiffs” for The Prospect.

Sam Spector ’24 discusses self-destruction and moving on in ‘Best Day of My Life’

 “‘Best Day of My Life’ is a breath of fresh air, at once a nod to emo and pop-punk musical influences over the course of the past decade and a stunningly new direction for Spector’s work.”

 “‘Best Day of My Life’ is a breath of fresh air, at once a nod to emo and pop-punk musical influences over the course of the past decade and a stunningly new direction for Spector’s work.” 

The transformation of Adele: “30” Review

All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”

All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”

eXpressions Dance Company’s ‘Notorious’ showcases multiple dimensions of artistry

The modern and contemporary-focused company not only experimented with musical textures but also explored the poetic elements of dance, such as the intentional repetition of movement and the contrast of continuity with dynamism.  

The modern and contemporary-focused company not only experimented with musical textures but also explored the poetic elements of dance, such as the intentional repetition of movement and the contrast of continuity with dynamism.  

Lovejoy returns with EP “Pebble Brain”

“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”

“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”  

With warm popcorn and James Bond, a Princeton institution reopens after pandemic closure

“Today, the Garden Theatre is known as a community gem, a town cultural hub, and an oasis for the weary Princeton student. The theatre has kept its doors open for the past century thanks to the resolve of community members who kept it afloat through various ups and downs — most recently, the COVID-19 pandemic.” 

“Today, the Garden Theatre is known as a community gem, a town cultural hub, and an oasis for the weary Princeton student. The theatre has kept its doors open for the past century thanks to the resolve of community members who kept it afloat through various ups and downs — most recently, the COVID-19 pandemic.”

Popular YouTubers MrBeast, Mark Rober partnered up on #TeamSeas to help save world’s oceans

The premise is simple: the two YouTubers teamed up with two prolific ocean cleanup organizations: Ocean Conservancy and Ocean Cleanup. Each dollar donated equals a pound of trash removed from the ocean, and the campaign seeks to raise $30 million by Jan. 1.  

The premise is simple: the two YouTubers teamed up with two prolific ocean cleanup organizations: Ocean Conservancy and Ocean Cleanup. Each dollar donated equals a pound of trash removed from the ocean, and the campaign seeks to raise $30 million by Jan. 1.  

“Optimist” by FINNEAS: Album in Review and Analysis

FINNEAS is back, to the joy of millions of fans (including me) with his debut album “Optimist.”  For many, expectations for the album were high: FINNEAS has had a hand in making one of the most iconic voices of our generation, Billie Eilish, and his solo songwriting is clearly superb. He’s clearly delivered on those expectations.

FINNEAS is back, to the joy of millions of fans (including me) with his debut album “Optimist.”  For many, expectations for the album were high: FINNEAS has had a hand in making one of the most iconic voices of our generation, Billie Eilish, and his solo songwriting is clearly superb. He’s clearly delivered on those expectations. 

Astroworld: When do we hold artists accountable?

“While we can remember that these celebrities are humans — they can make mistakes — we must also realize that they are humans with significant influence. When an idol consistently encourages reckless behavior, what they’re saying to fans is, ‘Hey, this is okay.’”  

“While we can remember that these celebrities are humans — they can make mistakes — we must also realize that they are humans with significant influence. When an idol consistently encourages reckless behavior, what they’re saying to fans is, ‘Hey, this is okay.’”    

Intersections: 11/12/21

‘Squid Game’: A dystopian nightmare with compelling messages

Contributing writer Olivia Kasule examines the anti-capitalist messaging of the recent hit “Squid Game“ through its humanizing character work and dramatic visuals.

Contributing writer Olivia Kasule examines the anti-capitalist messaging of the recent hit “Squid Game“ through its humanizing character work and dramatic visuals.

Conan Gray’s ‘Telepath’: why less is more

“Telepath” is an amalgamation of old and new. While the track is nostalgic, reminiscent of ’80s disco music, the lyrics detail the ever-so-relatable experience of a dying relationship.  

“Telepath” is an amalgamation of old and new. While the track is nostalgic, reminiscent of ’80s disco music, the lyrics detail the ever-so-relatable experience of a dying relationship.  

What ‘The Chair’ gets right about women of color in academia

While “The Chair” does sufficiently trace the professional and personal struggles of being a woman of color in academia, it fails to represent modern experiences students and professors may have. 

While “The Chair” does sufficiently trace the professional and personal struggles of being a woman of color in academia, it fails to represent modern experiences students and professors may have.