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The Daily Princetonian

OD on the OC: New '90210' is students' welcome 'addiction'

On a campus notorious for being unrepresentative of the real world, it seems appropriate that the television show with the fastest growing number of student fans is "The OC," which offers perhaps an even more fantastical depiction of privileged teen life than our own lovely "orange bubble."Like its wrong-side-of the tracks star Ryan (Benjamin McKenzie), "The OC" came from inauspicious roots.

NEWS | 03/24/2004

The Daily Princetonian

Rationalizing the irrational: the Physics of Beirut

Nicolo Tartaglia, a 16th-century Venetian physicist, probably wouldn't have any trouble making friends at the University, provided he showed up on a Thursday or Saturday night and found a Beirut game to join.There would be some challenges, of course: He wouldn't know any English; he wouldn't know where he was (the "New World" was discovered just before his birth, and European cartographers wouldn't place it in the correct hemisphere for some time); and he probably wouldn't fit in, unless the theme of the night was "Renaissance Party."But he would have at least one thing going for him: He would probably be the best Beirut player ever to loft a ping-pong ball at a triangle of cups.

NEWS | 03/10/2004

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The Daily Princetonian

Dog's Life: A day out with Skipper Malkiel, pampered pooch

? Two-and-a-half year old miniature schnauzer and has grown up in 403 West College? She was too small to stay at home, so she came to work? Likes to eat broccoli and carrots and especially popcorn? Three favorite places: cage, bed and love seat? Sometimes at meetings, she sits on a chair and looks to participate? Loves her morning walks and hopes to see squirrels? Knows which door opens in the elevator depending on floor ->

NEWS | 03/03/2004

The Daily Princetonian

Lack of arts funding teaches student director how to be resourceful

Last semester, I directed a production of Shakespeare's "Titus Andronicus" for the Princeton Shakespeare Company and found myself faced with the same problem that every artist faces sooner or later: a frightening lack of resources.The maximum possible budget that the Shakespeare Company could provide for the production was $3000; at the same time, Richardson Auditorium, the venue for the production, was estimating a bare minimum of $3500 in expenses just for the use of the performance hall.

NEWS | 03/03/2004