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Entertainment

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What Netflix’s ‘Indian Matchmaking’ gets right — and wrong

The tradition of arranged marriages, its toxic ideologies, and its regressive trends still exist in Indian society, putting pressure on women to compromise, instructing young adults to prioritize societal expectations, and preaching class divisions. These burdens are real and still unapologetically true, as depicted in “Indian Matchmaking.” However, they are certainly not representative of all of South Asian culture.

THE PROSPECT | 10/22/2020

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How Disney’s “Mulan” (2020) fell short of both Western and Eastern audiences’ expectations

The live-action remake of “Mulan” tries to incorporate many new elements with good intentions, but ultimately, the movie is poorly executed. It doesn’t work as a film that elicits nostalgia, it doesn’t work as a historical drama that explores Chinese culture, and it doesn’t even work well as a standalone film considered completely separate from the original. 

THE PROSPECT | 10/20/2020

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Queueing Up Some Quarantunes: Prospect Recommendations, Week Three [Spotify Playlists]

Living in a global pandemic leaves you with little to do to keep yourself entertained. To help combat impending boredom, Prospect has launched a series in which our Staff recommend content and creative outlets to keep you occupied while you’re stuck in your home. This week, our writers and editors curated some fabulous playlists for you to jam out to during studying. Here are the songs we recommend that you listen to during quarantine.

THE PROSPECT | 04/23/2020

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Tigers and TikTok

The world we live in is undoubtedly changing in various facets day by day, and how we socialize and connect with our communities is no exception. For at least some Princeton students, TikTok is taking on an increasingly prominent part of their social lives as our campus community is spread out across the world. 

THE PROSPECT | 04/12/2020

Garden Theater, Princeton, New Jersey

Womanhood, Love, and the Gaze in ‘Portrait of a Lady on Fire’

Currently showing at the Princeton Garden Theatre, Céline Sciamma’s latest film “Portrait de la jeune fille en feu” (translated as “Portrait of a Lady on Fire”) explores the dialectics of artist/subject, love/beloved, and viewer/viewed, presenting them as fluid and reciprocal. In the act of viewing, the film posits, oneself is viewed.

THE PROSPECT | 03/10/2020