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ARTS & CULTURE

PROSPECT.

Light from the setting sun hits a gothic stone castle.

The Self essay

“But now, finally, in these essays I’ve found the binding together of my self. These disparate parts have been gathered and collected like a bundle of sticks — still precarious but at least momentarily unified.”

“But now, finally, in these essays I’ve found the binding together of my self. These disparate parts have been gathered and collected like a bundle of sticks — still precarious but at least momentarily unified.”

THE PROSPECT | 12/08/2022

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Growing up Buddhist during the holiday season

“To some students, Christmas decorations may spark excitement for the holiday season. For me, a second-generation immigrant who was raised Buddhist, they remind me of my complicated relationship with mainstream American culture.”

“To some students, Christmas decorations may spark excitement for the holiday season. For me, a second-generation immigrant who was raised Buddhist, they remind me of my complicated relationship with mainstream American culture.”

THE PROSPECT | 12/08/2022

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The desire to be known: Lev Ricanati’s play “Underneath the Lintel”

“How can one trace the steps of someone who seems to be everywhere? As they travel across the world following clue after clue, the audience wonders if they are actually in search of the myth, or for meaning in their own life.”

“How can one trace the steps of someone who seems to be everywhere? As they travel across the world following clue after clue, the audience wonders if they are actually in search of the myth, or for meaning in their own life.”

THE PROSPECT | 12/07/2022

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‘It’s all I ever wanted to do, sit with language’: Q&A with Translator in Residence Saskia Vogel

“It’s nice to feel like this, to have a sense of purpose. I think storytelling has always been my through-line. Linnea was talking about how language itself isn’t a home. It's what you make of language that makes language a home.”

“It’s nice to feel like this, to have a sense of purpose. I think storytelling has always been my through-line. Linnea was talking about how language itself isn’t a home. It's what you make of language that makes language a home.”

THE PROSPECT | 12/07/2022

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Spielberg’s lively, disjointed, semi-autobiographical odyssey: “The Fabelmans” review

“However, in truth, the movie might not actually be about much at all. Perhaps it was simply the aging Spielberg’s nostalgic attempt to preserve the story of his family for posterity in the wake of his parents’ recent passing.”

“However, in truth, the movie might not actually be about much at all. Perhaps it was simply the aging Spielberg’s nostalgic attempt to preserve the story of his family for posterity in the wake of his parents’ recent passing.”

THE PROSPECT | 12/06/2022

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A decade of Carly Rae Jepsen: A grad student's muse

“We all need a song or two to build confidence for hitting submit for a conference, journal, or grant and seeing how the universe reacts. Jepsen knows that things will not always work out; nevertheless, she dares to believe in a world where things will.”

“We all need a song or two to build confidence for hitting submit for a conference, journal, or grant and seeing how the universe reacts. Jepsen knows that things will not always work out; nevertheless, she dares to believe in a world where things will.”

THE PROSPECT | 12/05/2022

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Playful yet powerful: Samuel Fosso’s ‘Affirmative Acts’

“The current exhibition at Hulfish transcends simple snapshots by dialoguing with viewers on important themes of identity, expression, and the individual relationship to the larger society around them.”

“The current exhibition at Hulfish transcends simple snapshots by dialoguing with viewers on important themes of identity, expression, and the individual relationship to the larger society around them.”

THE PROSPECT | 12/04/2022

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Emmy-nominated actor Jonathan Majors speaks in Atelier series

Emmy-nominated movie and television actor Jonathan Majors sat down with Professor in the Humanities Paul Muldoon, who also serves as the director of the Princeton Atelier, to discuss Majors’s past roles and what the general public can expect from his upcoming movies.

Emmy-nominated movie and television actor Jonathan Majors sat down with Professor in the Humanities Paul Muldoon, who also serves as the director of the Princeton Atelier, to discuss Majors’s past roles and what the general public can expect from his upcoming movies. 

THE PROSPECT | 11/30/2022

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Hello, my name is...

“But in such a surrender, there is, at a deeper level, a certain surrender of dignity and identity as well. A name is so personal a matter; it should belong to no one but oneself.”

“But in such a surrender, there is, at a deeper level, a certain surrender of dignity and identity as well. A name is so personal a matter; it should belong to no one but oneself.”

THE PROSPECT | 11/28/2022

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Arepas at Princeton: Reflections of a Colombian-American

“Just as I would shape the raw arepa dough into their circular shapes, Princeton, in a way, has helped shape my understanding of my own cultural identity as Colombian-American.”

“Just as I would shape the raw arepa dough into their circular shapes, Princeton, in a way, has helped shape my understanding of my own cultural identity as Colombian-American.”

THE PROSPECT | 11/28/2022

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Music and my identities: Learning from Jorge Drexler’s visit to Princeton

“I belong to all my intersecting identities: a little to them all, but to none of them entirely. It is in these shades of gray that identity can be so wonderful.”

“I belong to all my intersecting identities: a little to them all, but to none of them entirely. It is in these shades of gray that identity can be so wonderful.”

THE PROSPECT | 11/21/2022