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The Daily Princetonian

Best of the Princeton barbers

You have been working for days on end, just trying to get all your work done on time. Then one morning you gaze into the mirror after an all-nighter and see a hirsute Johnny Damon staring back instead of the familiar face, and that is when it hits you.

NEWS | 12/08/2004

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The Daily Princetonian

Rhodes to Success

You are standing in the middle of a large room in Boston with thick drapes, leather armchairs and a small clock that chimes every 30 minutes.

NEWS | 12/08/2004

The Daily Princetonian

Rackett's Rise

It's a well-known fact that Princeton boasts an impressive faculty roster, but most students never stop to think of their professors' extracurricular lives.

NEWS | 12/01/2004

The Daily Princetonian

Charlotte Simmons: A long-awaited masterpiece

When freshman Charlotte Simmons' pickup truck arrives from Sparta, North Carolina, bringing her and her few possessions to prestigious Dupont University, Dupont smells of "fresh meat." Like hordes of Orcs arrayed against the white tower of Minas Tirith, the forces of lust, envy and corruption gather against this small-town valedictorian with a body the other girls would kill to have ? and so would the males, we soon discover.

NEWS | 12/01/2004

The Daily Princetonian

New Visual Arts course examines installation pieces

Most art teachers tell their students to color within the lines? Professor Denyse Thomasos, the newest addition to the Program in Visual Arts, tells students to forget traditional boundaries and, if it suits them, the canvas all together.For the spring semester, Thomasos will head VIS 451: Installation Art, a new onetime only studio course that challenges students to use their preferred medium (photography, painting, sculpture, etc.) to define a physical space."I really want students to think about architecture and transforming space and to think about this in relationship with the concepts they want to communicate," said Thomasos, a Yale and Toronto University graduate.Installation art, she explained, breaks down the barrier between art and its physical environment by literally installing art into architecture and essentially turning space into a value.It is a form that Thomasos, an internationally acclaimed abstract artist and professor at Rutgers University, has herself experimented with in the last five years.Most of her work draws deeply from her Trinidad heritage, "the aesthetics of art in Africa and the black experience."Since her pieces are largely concept driven, Thomasos finds installation art liberating because it provides an added dimension for expression."The psychology of many of my ideas, especially the idea of imprisonment, are better realized with the actual architecture," Thomasos said.

NEWS | 11/17/2004