The fault in our films
Kelly HatfieldFor my friends, the process of choosing a movie involves nearly half an hour of deliberation, weighing individual preferences and moods (and the availability of certain titles on Netflix or quasi-reputable streaming sites). We float suggestions as disparate as Silence of the Lambs and Shakespeare in Love, and sometimes the whole endeavor is too fraught with conflict that we end up giving up altogether. The other night, however, we were all able to settle on Snowpiercer, the premise of which is a train that holds the survivors of a new Ice Age caused by scientists trying to combat global warming and succeeding all too well.