Contributing Writer for The Prospect Lily Hutcheson reviews Terrace’s Battle of the Bands.
Contributing Writer for The Prospect Lily Hutcheson reviews Terrace’s Battle of the Bands.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Head Editor of The Prospect Isabella Dail covers musician Laufey’s talk at McCarter Theatre.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.
Since 2012, Lisa Lonie has played the campus carillon, a keyboard-based percussion instrument composed of twenty tons of bronze bells. Her music can be heard every Sunday from Forbes and the Graduate College.
Since 2012, Lisa Lonie has played the campus carillon, a keyboard-based percussion instrument composed of twenty tons of bronze bells. Her music can be heard every Sunday from Forbes and the Graduate College.
The Prospect recaps the third annual Porchfest celebration hosted by the Arts Council.
The Prospect recaps the third annual Porchfest celebration hosted by the Arts Council.
After performing the first Mariachi concert in Princeton’s history, members of the band reflect on the club’s inception, rehearsal process, and common dedication to the traditional Mexican genre.
After performing the first Mariachi concert in Princeton’s history, members of the band reflect on the club’s inception, rehearsal process, and common dedication to the traditional Mexican genre.
Staff writer for The Prospect Ivy Chen sits down with Bletchley Park to discuss the band’s formation, inspiration, and future goals.
Staff writer for The Prospect Ivy Chen sits down with Bletchley Park to discuss the band’s formation, inspiration, and future goals.
Staff Prospect writer Chloe Lau gives a review and recap of Jonathan Biss and Mitsuko Uchida’s recent performance in Richardson Auditorium.
Staff Prospect writer Chloe Lau gives a review and recap of Jonathan Biss and Mitsuko Uchida’s recent performance in Richardson Auditorium.
Sinfonia’s Halloween performance was truly a magical evening that explores the spectral side of both music and nature.
Sinfonia’s Halloween performance was truly a magical evening that explores the spectral side of both music and nature.
"We want to play some songs that are somewhat recognizable, but we want to try to expand this campus’ musical palette a little bit and play music that you might not know but we know you can dance to. You will enjoy it, and it has the elements you're looking for."
"We want to play some songs that are somewhat recognizable, but we want to try to expand this campus’ musical palette a little bit and play music that you might not know but we know you can dance to. You will enjoy it, and it has the elements you're looking for."
To examine the history of Lawnparties, the Daily Princetonian combed through our archives to pull the list of acts, categorize their genre, and measure their popularity by looking at their monthly listeners.
To examine the history of Lawnparties, the Daily Princetonian combed through our archives to pull the list of acts, categorize their genre, and measure their popularity by looking at their monthly listeners.
After two rounds apart at the start of the NCAA basketball tournaments, Princeton University Cheer and Princeton University Band brought the spirit of Princeton to Louisville in support of the men’s team appearance in the Sweet 16.
After two rounds apart at the start of the NCAA basketball tournaments, Princeton University Cheer and Princeton University Band brought the spirit of Princeton to Louisville in support of the men’s team appearance in the Sweet 16.
I am rarely the star of my own works, which is oxymoronic since they’ve all been labeled “self essays.” This time is going to be different, though. This time, my co-protagonist is not a past lover. It’s the global pandemic that shook the world in 2020 — say it with me — COVID-19.
I am rarely the star of my own works, which is oxymoronic since they’ve all been labeled “self essays.” This time is going to be different, though. This time, my co-protagonist is not a past lover. It’s the global pandemic that shook the world in 2020 — say it with me — COVID-19.
On April 19, newly formed rock band Strawberry Milk was announced as the student opener for Lawnparties Spring 2022. The Daily Princetonian sat down with the group for a Q&A ahead of Sunday.
On April 19, newly formed rock band Strawberry Milk was announced as the student opener for Lawnparties Spring 2022. The Daily Princetonian sat down with the group for a Q&A ahead of Sunday.
Contributing writer for the Prospect Sage Kanemaru reviews the Princeton University Orchestra’s most recent concert, especially reflecting on the performance of the four featured musicians.
Contributing writer for the Prospect Sage Kanemaru reviews the Princeton University Orchestra’s most recent concert, especially reflecting on the performance of the four featured musicians.
This Valentine’s Day, Assistant Editor for The Prospect Claire Shin kills the romantic mood by replaying four songs that helped her heal her heartbreak.
This Valentine’s Day, Assistant Editor for The Prospect Claire Shin kills the romantic mood by replaying four songs that helped her heal her heartbreak.
Princeton student musicians write and record their own songs in communal studios or even dorm rooms, often debuting these songs on streaming platforms and at live venues on campus. Even among the challenges of Princeton, these students have made original music an integral part of their college experience.
Princeton student musicians write and record their own songs in communal studios or even dorm rooms, often debuting these songs on streaming platforms and at live venues on campus. Even among the challenges of Princeton, these students have made original music an integral part of their college experience.
Adorned in flamboyant plaid orange and black suits, topped with their characteristic boaters, the Princeton University Band is not hard to spot on Princeton’s campus. At an Ivy League institution where student groups often have high barriers of entry and demand significant commitment from their members, the Band stands apart as an outlet for entertainment and comedic relief.
Adorned in flamboyant plaid orange and black suits, topped with their characteristic boaters, the Princeton University Band is not hard to spot on Princeton’s campus. At an Ivy League institution where student groups often have high barriers of entry and demand significant commitment from their members, the Band stands apart as an outlet for entertainment and comedic relief.
All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”
All in all, fans had sky-high expectations for “30,” and Adele delivered; she appeased listeners with more classic-sounding tracks while also successfully stepping out of the typical powerful ballad that characterized her past hits. However, because she refused to entirely keep within her original formula, I don’t expect “30” to be as much of a hit as “21” or “25.”
“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”
“Lovejoy’s newest EP, ‘Pebble Brain,’ follows the same high-energy pop-punk-rock formula that carried ‘Are You Alright?’ to Spotify’s ‘Viral Hits’ playlist. Overall, I’m impressed with it, especially considering that Soot isn’t a professional vocalist. The lyrics might be confusing to many, but their vagueness is their strength: depending on the listener’s interpretation, they can have implications on the personal, political, or societal level.”
