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Arts

Four individuals are kneeled down and praying on stage as part of the opening scene of the play.

Faith and doubt intertwine in Theatre Intime’s “The Harvest”

Associate editor for the Prospect Russell Fan reviews Theatre Intime’s recent show “The Harvest,” which explores religion’s significance in times of uncertainty and turmoil.

Associate editor for the Prospect Russell Fan reviews Theatre Intime’s recent show “The Harvest,” which explores religion’s significance in times of uncertainty and turmoil.

THE PROSPECT | October 6

Three photos lined up on a white wall.

Appreciating art with ‘Poetic Record: Photography in a Transformed World’

Assistant editor for the Prospect Mackenzie Hollingsworth recaps her experience attending the Lewis Center’s latest exhibition, “Poetic Record: Photography in a Transformed World.”

Assistant editor for the Prospect Mackenzie Hollingsworth recaps her experience attending the Lewis Center’s latest exhibition, “Poetic Record: Photography in a Transformed World.”

THE PROSPECT | October 4

Woman dressed in black and white sings and plays guitar in a café.

Artist Q&A: Roya Reese tells all from covers at Coffee Club to tunes at Terrace

Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.

Contributing writer for The Prospect Gavin McLoughlin interviews Roya Reese ’26 about experiences performing at Coffee Club and as a student musician.

THE PROSPECT | September 29

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A large, vaguely brutalist building surrounds a reflecting pool. The sky is dark blue in nighttime. Bright lights shine from inside the large glass windows.

‘Radio Live’: a moving, conversational portrait of a young Indian activist

Contributing Writer for the Prospect Annika Plunkett details the immersive performance “Radio Live,” held as part of the Seuls en Scène program.

Contributing Writer for the Prospect Annika Plunkett details the immersive performance “Radio Live,” held as part of the Seuls en Scène program.

THE PROSPECT | September 25

A large horizontal poster with large red letters saying "Monsters and Machines" and images of monsters rests along a wall next to an exhibition.

Firestone debuts Monsters & Machines: Caricature, Visual Satire, and the Twentieth Century Bestiary exhibit

Firestone debuts a new exhibition “Monsters & Machines: Caricature, Visual Satire, and the Twentieth Century Bestiary.”

Firestone debuts a new exhibition “Monsters & Machines: Caricature, Visual Satire, and the Twentieth Century Bestiary.”

THE PROSPECT | September 12

An assortment of ceramics including cups, bowls, and plates in various hues of blue sit on a wooden ledge.

Graduate students seek to carve their own space in NCW ceramics studio

The Graduate Ceramics Association is looking to use the New College West Ceramics Studio, which is currently reserved for undergraduate students. While two pottery workshops for graduate students mark progress, barriers remain in the way of full-time graduate access.

The Graduate Ceramics Association is looking to use the NCW ceramics studio, which is currently reserved for undergraduate students. While two pottery workshops for graduate students mark progress, barriers remain in the way of full-time graduate access.

THE PROSPECT | September 11

A mural with a black background and the words "stronger together" with each letter in a different font and color.

The Spring Street Mural: Inspiring the Princeton community through public art

“Four years since its first iteration, the Spring Street Mural continues to be a Princeton staple, with each new artist helping to uplift the community.”

“Four years since its first iteration, the Spring Street Mural continues to be a Princeton staple, with each new artist helping to uplift the community.”

THE PROSPECT | 04/15/2024

Two people face each other on a stage with a bathtub and covered in purple light.

Forging Hope in ‘Flight of a Legless Bird’ by Ethan Luk ’24

Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.

Staff writer for the Prospect Emma Cinocca reviews the recent play of “Flight of a Legless Bird,” which “ends where it began” and sees the emergence of hope through one’s art.

THE PROSPECT | 04/15/2024