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Young artists release creative energies in many ways

From feminist plays to poetry readings to dance performances to roaring musicals, Princeton has it all for the attentive "culture vulture."


Performing arts at Princeton include a wealth of activities, but one of the areas with the widest participation is theater.


Two student-run theater groups, Triangle Club and Theatre-Intime (pronounced "onteem"), have long traditions of putting on entertaining and engaging dramatic productions.

During Orientation Week, Triangle Club presents a collage of some of its best numbers from recent years in a show that has become a Princeton tradition. This production provides a taste of the club's high-stepping entertainment. Be advised, however, that the lines for the performances are always long, so get there early.

Triangle, a century-old theatrical society, is one of the largest arts groups on campus. Jimmy Stewart '32 and Brooke Shields '87 were members of the nationally respected group, which continues to draw talented actors and a broad following.

While Triangle features musical comedy and flashy productions, Theatre-Intime — a self-supporting drama group — offers more serious fare on a regular basis. Its board of directors has freedom to mount productions representing a wide range of dramatic styles and tastes.

Last year Intime offered eight productions, including "Noises Off," "Hedda Gabler" and "Macbeth," among others.

In addition, the Princeton University Players offer two smaller-scale musicals per year. Last year's productions included "The Wiz," "Is There Life After High School?" and "The Mystery of Edwin Drood." Productions from previous years included "Jesus Christ Superstar" and "The Who's Tommy."


The Princeton Shakespeare Company (PSC), founded in 1994, though one of the younger performing arts groups on campus, it is now a staple of the Princeton arts scene. The PSC community is made up of all the students who participate in its productions as everything from directors and actors to designers and stage crew.

This year, PSC produced "The Merry Wives of Windsor" on Prospect Green in the fall and "The Taming of the Shrew" in Richardson Auditorium in the spring.

The PSC plans on mounting three productions during the 2001-2002 school year.


There are also several popular student dance groups at the University, all of which select their members through competitive auditions. The oldest dance group on campus — Expressions — was formed shortly after the University started accepting women. The company's biannual shows feature a wide range of styles, from ballet and modern dance to hip-hop and tap.

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Another modern dance group DiSiac, provides students with movement to accompany popular, fast-moving music. The founder of the group, who graduated two years ago, was once employed by London night clubs to dance on their floors to encourage others to move to the music.

Also adding to the array of dance choices is the Black Arts Company, a group that does theater and comedy in addition to dance. Its dance productions showcase fast, challenging choreography written for hip-hop and R & B tunes.

BodyHype, a company created in 1990, focuses on funky and lyrical jazz dance by dancing to music from Black Sheep, Janet Jackson, and Sting, among others. BodyHype is particularly famous for its highly sexualized routines.

The University-run Program in Theater and Dance hires professional directors to produce plays with student casts and funds student-written and directed creative thesis productions.

McCarter Theatre, the seventh-largest regional theater in the country, often hosts major talents such as Marcel Marceau, The Duke Ellington Orchestra, American Ballet Theater, Wynton and Ellis Marsalis and the Alvin Ailey Dance Company.

Now run by an independent corporation, McCarter was built in 1929 as a home for Triangle. The theater's renovation in the 1990s improved acoustics, ventilation and seating to create an even more "posh" ambience. An annex — called the Berlind Theater — was added this year to the back of the original structure.


For the musically inclined, a multitude of groups exist, including the student orchestra, a chamber group, the wind ensemble and more than a dozen student-run a cappella groups.

The University's a cappella groups preserve the Princeton tradition of "arch sings" — events that take place most Thursday nights in Blair Arch or 1879 Arch. During these gatherings, each group gives a sample of its distinctive musical style.

These groups include the all-male Footnotes, Tigertones and Nassoons and the all-female Tigerlilies, Wildcats and Tigressions. The others — the Roaring Twenty, Shere Khan and the Katzenjammers — are coed.

Newly formed three years ago are the Fire Hazards, Princeton's first gay, lesbian and bisexual a cappella group.

The Glee Club also performs concerts in both the fall and spring.

Another singing group is more, say, religiously inclined. Made up of about 80 members of the University and the community of Princeton, the Chapel Choir is the only singing group on campus in which its members get paid for participating.

The Chapel Choir sings every Sunday in the University Chapel during the services. The Choir also sings in several larger concerts throughout the year, including at Christmas and Easter. The Choir also plans tours, and this year is going to Spain over fall break.

A thoroughly different musical experience is found in the rowdy, ragtag Princeton University Marching Band, entering its 79th year of boisterous behavior. Watch for its pre-game performances on Cannon Green and their antics during football halftimes.

If the humor of the band doesn't suit your style — a common complaint — you might want to check out Quipfire!, a comedy and improvisational theater troupe founded six years ago.

The coed group — with the self-declared purpose of poking fun at anything and everything — performs several shows annually and encourages students to bring outlandish props that performers then incorporate into the show.