I do not object to the general idea of incorporating undergraduate feedback into the redesign of McCosh. But we clearly need a more insightful and productive methodology.
By visually celebrating, rather than hiding, its cogeneration plant, Princeton could express to the world its commitment to sustainability, highlighting and more effectively communicating its already impressive sustainability numbers.
In honor of Notre Dame, I seek to examine more closely the collection of those historic buildings on our own University campus that imitate its Gothic style.
How can we employ architecture in support of, rather than against, interdisciplinarity?
How does personal digital technology affect how we interact within our campus environment?
I would argue that Frist epitomizes and encourages the best of college socialization, merging work with play and relaxation, thanks to subtle yet significant architectural gestures. As such, I argue that we should interpret Frist as a cause of our collective problem of loneliness; rather, it should serve a model for more spaces on campus to solve that issue.
Contemplating a building in this way, I argue, is not just enjoyable. More importantly, such an exercise restores and reorients us to physicality and reality. Architecture, firmitatis, will liberate our generation from the chains of digital fatigue.
Jim Sanborn shows us that art and science, while distinct pursuits, often relate in intensely enriching and informative ways.
These pictures are not art. More broadly, there is no “art of science.” And to say there is constitutes an insult to and assault on the special qualities of artistic pursuits.
If the University can connect the new and old campuses with innovative and effective pedestrian pathways, then it will alleviate the potential issue of inaccessibility. Likewise, if its new designs can successfully relate to historic structures in clear and explicit ways, then they will evolve with time to become extensions of our campus, rather than merely additions to it.