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ARTS & CULTURE

PROSPECT.

A group of nine dancers dressed in jeans and white tops mid-movement. The lighting gives the dancers a purple hue.

A celebration of black joy: Camille A. Brown’s I AM redefines the performer/audience relationship at the McCarter Theater

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

Contributing Writer for The Prospect Isabella Rivera reviews Camille A. Brown’s performance “I AM,” which “breaks the disconnect between audience and performer.”

THE PROSPECT | October 6

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A paper advertises the Yondr phone pouch to students. In bold, it says "Free yourself from your phone." Below it, it says "Check out a Yondr pouch." In front of the paper is a device to unlock pouches.

Firestone offers phone jails to save students from themselves

Contributing writer for The Prospect Isabella Rivera tests out how effective Firestone’s new Yondr pouches are at creating a distraction-free environment for studying.

Contributing writer for The Prospect Isabella Rivera tests out how effective Firestone’s new Yondr pouches are at creating a distraction-free environment for studying.

THE PROSPECT | October 5

Person in dark, black cloak and skeleton mask and another person in a black suit watch on as a someone in a blue suit is on the ground.

‘The only thing that mattered was being on top’: Orion Lopez-Ramirez’s ‘How to Live at the End of the World’

Head Editor for The Prospect Mackenzie Hollingsworth covers Orion Lopez-Ramirez’s “How to Live at the End of the World.”

Head Editor for The Prospect Mackenzie Hollingsworth covers Orion Lopez-Ramirez’s “How to Live at the End of the World.”

THE PROSPECT | September 30