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I’m not good at writing on a deadline. I often tell people this is the reason why I don’t want to be a writer. Nobody wants to become a writer, other aspiring writers have knowledgeably informed me. It’s not something that you set out to do; it just happens. And then they return to edit the fifth draft of their novel, scribbling furiously on the papers in front of them.
This week the Street is featuring a new column, “Bound by June,” by Carson Clay ’19 that will highlight senior theses projects in the spring and other projects of students and professors in the fall. Inspired by deeper probing into some of her senior friends’ projects in an attempt to learn a bit more than the one-sentence byline that is often given by seniors, Carson will share a glimpse into some of the amazing senior theses that are being written this spring! Feel free to reach out to her at firstname.lastname@example.org if you know of seniors working diligently on projects that the Princeton community should know about!
Dear Sexpert, I’ve been hearing some of my friends talk about doing Kegel exercises, but I’m not exactly sure what they are talking about. What is a Kegel? And how do I do one? --Kegel Kurious
Last year, I wrote a poem about a hit-and-run in which an Asian grandmother was left lying on the side of the road like roadkill (“I am the driver / the woman’s body / is violation”). Once, I wrote a poem about an accident that left my mother in a semi-vegetative state (“Your head bloomed / & you crumpled like a sheet down the stairs”). Once, I wrote a poem about experiencing death through a solitary phone call (“The day the phone rang / we were shooed outside, the day / we stripped our dolls into finer stems / naked and buried them in the lawn”).
Many of you were writing to Auntie J about affairs of the heart; Loveless Loser laments, I’m absolutely in love (or at least in like) with one of my friends. I’ve been attracted to him since the first time I met in October, but the closer we get, the more I become intoxicated by his beautiful personality and huge heart ...
You just woke up from a twelve-hour hibernation, and yes, it’s five in the afternoon. You groan, mumble incoherently, and try in vain to wipe the delirium from your eyes. Before you crawl out of your room and impose yourself on the world, you must make yourself at least semi-presentable. Even if you don’t feel like you have a corporeal form, you should always look like you do.
Triple 8’s show “Moonlit” was a celebration of East Asian culture that created a “space in which East Asian people were unashamedly the focus of the event.” The crowd’s cheers served as public affirmations of the salience of each dancer’s individual Asianness.
Dear Sexpert, I am a virgin, and I think I am ready to have sex for the first time with my partner. But I am feeling a little nervous. What should I expect? What should I do to prepare? --Nervous First-Timer
I guess my “secret” isn’t that I feel this intense pressure to be perfect, or that I don’t actually just wake up like this; the real embarrassment here is that I modeled my social behavior off of the main character from a collection of books aimed at tween girls that came out in 2004.
This week the Street is featuring the beginning of a new column “Bound by June” by Carson Clay ’19 that will highlight senior theses projects in the spring, and other projects of students and professors in the fall. Inspired by deeper probing into some of her senior friends’ projects in an attempt to learn a bit more than the one-sentence byline that is often given by seniors, Carson will share a glimpse into some of the amazing senior theses that are being written this spring! Feel free to reach out to her at email@example.com if you know of seniors working diligently on projects that the Princeton community should know about!if you know of seniors working diligently on projects that the Princeton community should know about!
As a senior in the visual arts department, one of my three courses this spring is VIS 326: Pathological Color, taught by Jim Welling. The course allows students to experiment with color technologies in digital photography, and in our first seminar meeting we examined works by artists such as Andy Warhol, Ben Shahn, and Corita Kent that used psychedelic color in photographic and silk screen processes.
The deadline to submit both written and visual works has been extended to Monday, February 19, 2018 at 5 p.m. Submission guidelines can be found at kunstkammer.princeton.edu/submit.
The semester is just a week in, and while some of us might be done shopping for courses, there are always those who need a bit more time. In order to help and give you better ideas as to what interesting courses people are taking this semester, I went around and asked people which course was their favorite so far and what led them to try it out. As a follow-up, I also asked them what they think of the class a week into the semester.
I recently began to journal, a decision that was motivated in part by the horror that accompanied the end of my first semester (where did four months even go?) and the borderline, mostly-for-dramatic-effect existential crisis that occurred soon after, but also in an effort to become a better writer. When my editors informed me that the theme of this week’s Street issue was ‘entry,’ my one-track mind and a strange rendition of the Baader-Meinhof effect immediately associated the word with journaling.
Yes bleary-eyed, sleep deprived Princetonian, you read that title correctly. In this article, I mean, poorly-written introduction, I will make the argument that the second week of classes is undoubtedly more harrowing, life-draining, and all around trash than the first week of the semester. I mean think about it; during the first week, you’re still riding off the high from not really “doing” school for a little over a month, and you might be excited to see your friends again or maybe head over to good-’ol Prospect street. However, by the second week of classes you’re hungover, and back to reading endless amounts of secondary sources. Don’t worry though; you’re not the only one going through it. Here are 10 thoughts every Princeton student has during the second week of the semester:
Being a director is an intense experience, and doing it for the first time can be beyond intimidating. The Daily Princetonian got in touch with Regina Zeng ’18, director of Theatre Intime’s upcoming production of “Stop Kiss”, to find out how she approached her first time directing a full-length play.
Dr. Corina Tarnita is a professor and mathematical biologist in Princeton’s Department of Ecology and Evolutionary Biology. I was fortunate enough to have her last fall as my professor for the freshman seminar FRS 191: The Equations of Life. I recently met with her to ask some questions about her background and career.